I was also surprised to find out that I liked this book best, partially because of the family dynamics and partially because - despite the billionaire thing - this felt like the most believable of Milan's books. When Milan writes historical romances, I enjoy the fluff, but I can't forget that she's not working with the real Victorian Era. I mean, I really like Frederica Marshall (The Suffragette Scandal), but, philosophically speaking, she's a fourth-wave feminist of the Tumblr era, not a nineteenth-century suffragette. By contrast, Tina and Blake and their family and friends are actually of their (our) moment in time, and the twenty-first century suits them.