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Of the three of us, I was the only one who'd read the novel first (
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Personally, I missed the novel's pacing, because half the fun for me is having the contrast between the younger and older versions of the characters played out over the course of the book; also, the show's pacing in general has a way to stop and linger around climactic moments for several episodes in a way that loses a lot of the zippy energy of the rest of it. Also also, in order to maintain backstory pacing, the show has added a whole evil MacGuffin plot that (as
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On the other hand, I did appreciate that the show slithers its way around censorship by replacing all the backstory's moments of fraught mutually oblivious sexual tension with intense explicitly mutual but technically not sexual pairbonding. For example:
BOOK: Lan Wangji, overcome with fraught pining, anonymously kisses a blindfolded Wei Wuxian
SHOW: Wei Wuxian and Lan Wangji have a fraught discussion in which Wei Wuxian says "I used to see you as my soulmate in this life" and Lan Wangji says "I still am"
On the one hand: it's a bummer China can't show makeouts; on the other hand: I think we can all agree that the show's version here may in fact be better.
These changes, plus the amazing array of long-suffering micro-expressions displayed by Lan Wangji's actor, significantly shift the tone of the romance overall. Book!Lan Wangji spends all his time stoically pining for a man he believes is oblivious to his feelings and will never return them; tv!Lan Wangji spends all his time mildly annoyed that his useless undead husband, to whom he has been married for twenty years, forgot another anniversary. Both great tastes and I'm glad to have experienced both!
Speaking of actors, I already loved the novel version of Jin Ling (the bratty nephew of everybody in the cast) but Jin Ling's actor in the show was a true standout for visibly incorporating all the most annoying traits of the actors who played his father and his other variously terrible uncles into his performance. Truly sublime; a very gifted child.
The show also makes a significant effort to give the few female characters more screentime. I'm not sure how well this serves Jiang Yanli, the sweet but tragically doomed sister, who does appear significantly more often but still unfortunately never gets to do anything besides make the same soup recipe ad infinitum. Wen Qing, on the other hand -- an irritable but virtuous doctor from an evil clan who helps our heroes out at a few key points -- has been elevated to a main player, which is probably the best choice the show ever made, except then it makes her disappearance from the story midway through and the absolute lack of women in the future plot significantly more frustrating. Justice for Wen Qing! (as I requested, in my Yuletide letter.)
(If I had to rank my five favorite characters, it would probably go as follows:
#5 - Lan Wangji and Wei Wuxian, inextricably linked in favor as they are in life
#4 - Jin Ling; I love a furious gremlin child
#3 - Jiang Cheng; I love the man who taught the furious gremlin child all his worst habits
#2 - Wen Qing; the combo of 'irritable but virtuous doctor' and 'irritable but virtuous elder sister' is too powerful for me to resist
#1 - Lan Jingyi, because someone has to love the most mediocre Lan child and that someone was, inevitably, going to be me.)
My other favorite thing about the show: the special effects on Lan Clan members summoning their magical zithers from Z-space with a strum of their fingers. Amazing. Flawless.
I still have not seen the donghua past the first episode but that will probably be next!
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The guqin is a very good bludgeoning weapon too. :p
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All the other Lans, internally, but not externally, because that's not the Lan Way: It doesn't count if you're the only person who specialized in suona!