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So three years after everybody else in the world read Graceling, I too have at last read Graceling!
I think part of the reason I put it off for so long is because I remember it being HUGE at about the same time that The Hunger Games was huge. Also, they both have stoic lady protagonists with names beginning with Kat, which meant I could not tell them apart. So I read The Hunger Games after months and months of hype, and was entertained enough but somewhat underwhelmed after months and months of hype, and sort of went "well, that's my stoic-lady-protagonist-called-Kat taken care of!" and forgot about both of them for a while.
It turns out I probably should have done it the other way around, because I actually liked Graceling way better than The Hunger Games!*
Part of this is that Katsa has SO MUCH agency. For those of you who have not actually read Graceling: Katsa is a magically skilled killer who reluctantly intimidates and murders people for her uncle, a semi-evil king. I knew this going in.
I did not expect the book to open with Katsa going, "By the way, I was so bothered by all this intimidation and murdering that I decided to found a thriving secret organization to FIGHT CRIME AND ABUSES OF POWER all across the land! And it's going great, thanks for asking. Today I rescued someone's granddad, just because I don't want to live in a world where people's granddads get randomly kidnapped. AND IT WAS AWESOME."
Maybe it's because my expectations for Katsa's room to have agency were so low (probably due to The Hunger Games again -- sorry, Katniss!) but I was totally delighted by this and fell in love with Katsa from that moment on, big damn hero that she is. I spent the next four hundred pages watching Katsa do her badass thing and enjoyed it enormously.
My only real annoyance with the book was that the Big Bad was such an Inhuman Monster of Terribleness; there was room for a lot more subtle and interesting evil in there, given his particular superpowers, instead of "I am a sadist who murders cute fluffy animals and pursues whatever seems to be the most convoluted yet evil plan available at any given time."
I also can't decide how I feel about the final plot twist with Po. On the one hand, I'm kind of annoyed that it's yet another Blind But Not Really Because Superpowers. On the other hand, I guess I'm glad that the book did make it clear that being blind was still a problem and superpowers did not magically fix everything. But then on the third hand, despite all the effort that Cashore went to to establish this, I spent the entire last two chapters trying to repress a knee-jerk reaction of "Stop whining, Po, you can still BASICALLY see."
Anyway: I know at least a few of you posted about this book when it was still actually a trending topic! If you reviewed it I would love to get a link to your thoughts for my behind-the-times self. Or, you know, recap them here.
(Although, as a sidenote, The Hunger Games and I have now made our peace, due to a very pretty film soundtrack and some excellent costuming choices.)
I think part of the reason I put it off for so long is because I remember it being HUGE at about the same time that The Hunger Games was huge. Also, they both have stoic lady protagonists with names beginning with Kat, which meant I could not tell them apart. So I read The Hunger Games after months and months of hype, and was entertained enough but somewhat underwhelmed after months and months of hype, and sort of went "well, that's my stoic-lady-protagonist-called-Kat taken care of!" and forgot about both of them for a while.
It turns out I probably should have done it the other way around, because I actually liked Graceling way better than The Hunger Games!*
Part of this is that Katsa has SO MUCH agency. For those of you who have not actually read Graceling: Katsa is a magically skilled killer who reluctantly intimidates and murders people for her uncle, a semi-evil king. I knew this going in.
I did not expect the book to open with Katsa going, "By the way, I was so bothered by all this intimidation and murdering that I decided to found a thriving secret organization to FIGHT CRIME AND ABUSES OF POWER all across the land! And it's going great, thanks for asking. Today I rescued someone's granddad, just because I don't want to live in a world where people's granddads get randomly kidnapped. AND IT WAS AWESOME."
Maybe it's because my expectations for Katsa's room to have agency were so low (probably due to The Hunger Games again -- sorry, Katniss!) but I was totally delighted by this and fell in love with Katsa from that moment on, big damn hero that she is. I spent the next four hundred pages watching Katsa do her badass thing and enjoyed it enormously.
My only real annoyance with the book was that the Big Bad was such an Inhuman Monster of Terribleness; there was room for a lot more subtle and interesting evil in there, given his particular superpowers, instead of "I am a sadist who murders cute fluffy animals and pursues whatever seems to be the most convoluted yet evil plan available at any given time."
I also can't decide how I feel about the final plot twist with Po. On the one hand, I'm kind of annoyed that it's yet another Blind But Not Really Because Superpowers. On the other hand, I guess I'm glad that the book did make it clear that being blind was still a problem and superpowers did not magically fix everything. But then on the third hand, despite all the effort that Cashore went to to establish this, I spent the entire last two chapters trying to repress a knee-jerk reaction of "Stop whining, Po, you can still BASICALLY see."
Anyway: I know at least a few of you posted about this book when it was still actually a trending topic! If you reviewed it I would love to get a link to your thoughts for my behind-the-times self. Or, you know, recap them here.
(Although, as a sidenote, The Hunger Games and I have now made our peace, due to a very pretty film soundtrack and some excellent costuming choices.)
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What I particularly like about the third book (Bitterblue) is that we see Katsa and Po through an outside POV, and even though Bitterblue basically worships them, the story also makes it obvious that they are sometimes really infuriating people to be friends with.
Anyway yes, basically, excellent book. I particularly love the chapter that's just basically a series of completely contradictory internal monologues by Katsa about whether or not she likes Po. Like, "Feelings, what are these?" "I HATE FEELINGS." "But. . .maybe feelings have something to recommend them." "DOWN WITH FEELINGS!"
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Hee! OH KATSA AND HER CONFLICTED FEELINGS ABOUT FEELINGS. She didn't ask for all these feels, man.
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Also I've been thinking about you lately as I'm reading a non-fiction history book that I want to be so much better than it is. Its about anarchists and all that history in the 1800 and 1900s but the author doesn't know how to gossip. Instead its all then this happened and it makes me sad.
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I haven't completely stopped reading it but its one where I check how many pages are left in a chapter.
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Apparently there was fannish criticism of that whole Disability Superpower implication in Graceling, which Cashore like... acknowledged in Bitterblue??? Explicitly?????? Is this the real life
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And YES GREAT. Ten points to Cashore for responding classily to criticism and acknowledging problematic stuff!
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Interestingly, I didn't like Fire as much. It was good! I read it all! But I don't feel like I necessarily need to read it again the way I'd want to reread Graceling. Loved Bitterblue, though, which is a merge of the prior two--more from G, but a sprinkling of stuff from F, too.
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- loved Katsa forever
- dubious about the worldbuilding, but kind of figured going in that I probably would be, so I can mostly ignore that
- liked Po a lot too, especially the flipped gender dynamics inherent in Katsa/Po
- strongly disliked Bitterblue, not for herself but because she did not remotely read as a plausible child to me and so I got thrown out of the book nine times out of ten that she did anything.
- had similar thoughts about the villain, except that it didn't bother me so much because I sort of figure Evil Villain Who Is Evil Mwahahaha is a given when reading YA enough that I'm pleasantly surprised whenever it isn't the case.
My main complaint was Bitterblue, because that was the only thing that really threw me out of the story consistently. I haven't read Fire (yet) or Bitterblue (not sure if I will, though I'm intrigued by a couple of the things people have said in posts about it).
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Also, 'Bitterblue' is a REALLY WEIRD name for a kid, especially if you don't particularly want to signal to the whole world that you are planning to torture your daughter and make her perpetually sad when she grows up.)
I expect I will get around to Bitterblue with a reasonable turn of speed; if you want, I can let you know if I think you're likely to enjoy adult Bitterblue enough to overcome your initial dislike of her. :D
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But yeah, Bitterblue really is an odd name for a kid. Also, a bit of a tongue-twister. But oh well!
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I don't find it a tongue-twister particularly, and maybe a good name for, like, a river. In Hobbiton. ON THE BANKS OF THE BITTERBLUE etc. Just . . . not for a baby . . .
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I have LOTS MORE THOUGHTS, but they will probably have to wait until the weekend. Curse you, progress reports!
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I look forward to your LOTS MORE THOUGHTS! :D
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...so often when I say "I liked the plot" I mean "I liked the way the plot suited the characters." YES, I truly earned my undergrad degree. I liked the overall arc of KATSA'S INCREASING BADASSERY and the plot was made for that! The other two books are less about MAIN CHARACTER'S INCREASING BADASSERY and more along the lines of MAIN CHARACTER LEARNS TERRIBLE TRUTHS AND GROWS UP. Except Fire's terrible truth is deeply predictable and Bitterblue's terrible truth is really freakin' disturbing, like DEEPLY unsettling. The last book also ends on an ambiguous note, which generally I like, but I'm not sure if Cashore had the chops to accomplish what she wanted.
EVEN MORE WEIRDLY, I don't mind the narrative beatdown of the Hunger Games trilogy. The whole sacrificing children thing gave me certain expectations for how the overall narrative would go. Suzanne Collins also doesn't necessarily have the writing chops to fully express her vision, but WAR DESTROYS EVERYTHING IT TOUCHES INCLUDING THE SO-CALLED HEROES OF THE STORY was something I enjoyed seeing in a YA context!
NOW I AM REALLY GOING TO BED.
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Hee, yes, okay, fair and valid! In that case, I AGREE upon initial summation pending review of Fire and Bitterblue.
I did not mind the narrative beatdown, per se . . . (I also never really got to the narrative beatdown bits, I read the first book and then read enough spoilers that I never actually got around to the second and third.) But I did keep wanting more agency for Katniss, even if it was sucky agency -- like, my biggest problem with the first book is that Katniss never really had to make a choice about whether to kill somebody or not. And I wanted her to have to make that choice instead of the narrative making it for her! AGENCY.
PS I HOPE YOU GOT SOME SLEEP.
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That said, I still read the later books and: BITTERBLUUUUUUE *______*
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I'm actually in the middle of Fire right now, also super enjoying it, also keep accidentally tripping and falling into it when I should be doing school reading!