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December meme, Day 2:
aquamirage asked me about moments in musical theater that fuck me up every single time!
I'm pretty sure she asked me this because at the time we were watching Into the Woods and I was complaining vociferously about the fact that they cut "No More" from the upcoming film (THEY CUT "NO MORE" FROM THE UPCOMING FILM, ARGH); as you all know I have many, MANY feelings about Into the Woods, but for whatever reason "No More" is the song that, in fact, fucks me up every single time. I think it's because there's no bombast to it; it's the total resignation that gets me.
In other really obvious news that is obvious, I always think I'm cool and totally over it as I sit down to see a production of Les Mis, and then the first chords of "Look Down" strike up and NO, NO, I WAS WRONG, I'M NOT COOL, I'M NOT COOL! ALL THE FEELINGS ARE BACK. I'm pretty sure it's not even anything specific about "Look Down," it's just a Pavlovian response! Pavlovian feelings! Hello, fourteen-year-old Becca, I see you're back again!
But, OK, let's try for something slightly less obvious. "I Don't Care Much," Cabaret -- that's another one where the total resignation of it is much more effective for getting me to feel a lot of complicated things than anything else would be. (The ending of Cabaret also really shakes me up if it's done right, but it's not always done right, and I've seen it done well enough often enough that a mediocre production won't do much for me except irritate me about the fact that it isn't better.)
A short list of other songs that make me feel feelings in shows, although not always the same feelings: "Easy as Life," Aida. The "Johanna" reprise that Sweeney Todd sings in Sweeney Todd. "Les Cloches" and "Liberes" from Notre-Dame de Paris. And, of course, ever and always, "Confrontation" from Jekyll and Hyde, a moment in musical theater that I CANNOT EXPERIENCE without getting totally fucked up with hysterical laughter. NO, NEVER! YES, FOREVER.
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I'm pretty sure she asked me this because at the time we were watching Into the Woods and I was complaining vociferously about the fact that they cut "No More" from the upcoming film (THEY CUT "NO MORE" FROM THE UPCOMING FILM, ARGH); as you all know I have many, MANY feelings about Into the Woods, but for whatever reason "No More" is the song that, in fact, fucks me up every single time. I think it's because there's no bombast to it; it's the total resignation that gets me.
In other really obvious news that is obvious, I always think I'm cool and totally over it as I sit down to see a production of Les Mis, and then the first chords of "Look Down" strike up and NO, NO, I WAS WRONG, I'M NOT COOL, I'M NOT COOL! ALL THE FEELINGS ARE BACK. I'm pretty sure it's not even anything specific about "Look Down," it's just a Pavlovian response! Pavlovian feelings! Hello, fourteen-year-old Becca, I see you're back again!
But, OK, let's try for something slightly less obvious. "I Don't Care Much," Cabaret -- that's another one where the total resignation of it is much more effective for getting me to feel a lot of complicated things than anything else would be. (The ending of Cabaret also really shakes me up if it's done right, but it's not always done right, and I've seen it done well enough often enough that a mediocre production won't do much for me except irritate me about the fact that it isn't better.)
A short list of other songs that make me feel feelings in shows, although not always the same feelings: "Easy as Life," Aida. The "Johanna" reprise that Sweeney Todd sings in Sweeney Todd. "Les Cloches" and "Liberes" from Notre-Dame de Paris. And, of course, ever and always, "Confrontation" from Jekyll and Hyde, a moment in musical theater that I CANNOT EXPERIENCE without getting totally fucked up with hysterical laughter. NO, NEVER! YES, FOREVER.
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I'LL SEE YOU THERE, JEKYLL!
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Also I just need you to know how much time I have spent in the past however many days listening to the cast recording..............of Into the Woods...................
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...and then ten minutes later, getting ready for bed, I was all, "I listened to a sad song before bed WAHH!"
So by my reckoning, you have much to pay for.
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Attractive nuisances require more than just signposts!
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So my first exposure to "Confrontation" was David Hasselhoff and the hair-flinging. Which I think scarred me forever to the point where that's all I can think about when I hear that song!
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Oh, man, let me explain: I grew up on the David Hasselhoff Jekyll and Hyde. I have seen that horror more times than you can even count. It's like an old friend. An old, horrific, mentally scarring friend that you are still kind of glad you know just to see other people's faces when you introduce them.
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LOL I totally get the Pavlovian Les Mis thing, too. (I took a class on it in college, and the professor insisted on showing clips from various movie versions of it, including the 10th anniversary concert. Super awkward. "Non, je ne pleure pas. J'ai quelque chose dans mon oeil.")
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