Mar. 24th, 2019

skygiants: Sophie from Howl's Moving Castle with Calcifer hovering over her hands (a life less ordinary)
So Becca, you may ask, is everything you've read recently gay?

To which I respond: no, not at all! The Door at the End of the World, an ARC of which was passed onto me due to its DWJ-reminiscent qualities as determined by respectable DWJ experts [personal profile] aamcnamara and [personal profile] bluestalking, is the kind of solidly charming middle-grade book that exists in a pleasant liminal space full of nifty magic and devoid of any sexuality whatsoever.

The plot: undistinguished adolescent Lucy Ebersley is a minor bureaucratic functionary working at one of the intersections between a collection of linked worlds, of which Earth is one (large and ignorant), Lucy's world is another (tiny, largely irrelevant), and six others fill various positions (has magic! has super technology! has a lot of beautiful scenery and is great for vacations!)

(In Lucy's world, adolescents have already gotten all their schooling, taken civil service exams, and are ready to serve as minor bureaucratic functionaries. We roll with it.)

Unfortunately, Lucy's boss has mysteriously disappeared, leaving Lucy alone to cope with a broken world-door, an amiable but hapless Earth teenager named Arthur who took a wrong turn and can't get home, and a collection of intelligent magical bees.

Like any good minor bureaucratic functionary, Lucy promptly attempts to escalate the problem to the proper officials! Alas, this is the kind of book where, it turns out, the proper officials cannot at all be trusted, leaving Lucy and her sidekick Arthur to solve the collapse of the multiverse with only the tools at hand: Lucy's organizational skills, Arthur's cheerful willingness to roll with anything, some chance-met connections in the inter-universe smuggling underground, and, of course, the bees. A solidly enjoyable middle-grade read; the bees are a delight and I support them in all their endeavors.

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