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Jul. 25th, 2019 04:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
And indeed it was, and I enjoyed the survey view of the era and the nostalgia hit of flipping through endless Sweet Valley High and Babysitters Club covers very much, while also very deeply craving a much more substantive and academic exploration of late-twentieth-century children's fiction -- sure, Sweet Valley High kicked off a landslide of Soap Opera Twin Story imitators, I'm glad to know this, but why was it so popular? Why and how did it cover the plotlines that it did? LET'S DIG, LET'S GET IN IT.
This book covers a lot of the broad trends, but doesn't really get in it at more than surface level. It also completely skips the categories that were most significant to me, fantasy and historical fiction, except where they overlap with the ones she's more interested in, Teen Romance and Teen Horror -- I realize the Harry Potter boom didn't happen until the early two thousands, but there were kid fantasy novels being published before then, and I read ALL of them. The boundary line in this book between what counts as 'teen' and 'kid' lit is is kind of fuzzy too and I think the definitions really depend on what Gabrielle Moss felt like writing about at the time. (For example, no American Girls, but a loving full-page spread on Wait Til Helen Comes which -- great book! Well worth calling out! NOT teen fiction, definitely a children's book.)
All that said, I learned several extremely important things from this book:
- there existed a Preteen Friends series (a la Babysitter's Club) called the B.Y. Times about a group of Orthodox Jewish girls who wrote for their school newspaper -- how did I not know about this! why have I not read all of them!
- there also existed a whole series called Swept Away, by Eileen Goudge, about teen girls who have a TIME TRAVEL CLUB (with a machine they stole from their local library! makerspaces, man) and are constantly zooming backwards to fix the love lives of Teen Girls From The Past; why did I not ALSO read all of these?
- noted horror author R.L. Stine also wrote joke books! ... under the name JOVIAL BOB Stine. I don't know why this is the funniest thing I've heard all week but every time I remember it I start laughing. Jovial Bob!
- Lois Duncan, who wrote all those teen horror and suspense books about teens and mysteries and murder ... stopped writing suspense novels after her ACTUAL teen daughter was mysteriously murdered, and instead wrote a true crime novel titled Who Killed My Daughter? based on her private investigation involving gangs and psychics! This is very sad, but also, good lord, talk about art imitating life
- on a lighter note, one last 'why didn't I read this': Samantha Slade, Monster-Sitter, "for the Goosebumps reader who wanted more babysitting, or the BSC reader who wanted more lycanthropy." I WAS BOTH THOSE THINGS. WHERE WAS I.
Anyway, now I have to go nosedive into all the Sweet Valley summaries written by dedicated scholar
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