(no subject)
Dec. 26th, 2022 02:56 pmIt took me ages to actually get around to reading Nona the Ninth because I was grimly determined to reread Harrow the Ninth first, a book I respected but did not particularly enjoy on my first read.
On my second read I had more patience for HtN -- as I suspected, knowing what's going on and being able to go slow and look out for the interesting clues the narrative is laying with an eye to what they actually signify made for a better reading experience than zooming through the book with ferocious impatience while dodging piles of glistening viscera -- but it is still and I think will always be a book that is more interesting than enjoyable for me.
Nona the Ninth, on the other hand, I both respected and enjoyed enormously! tbh I think one of Muir's greatest talents as a storyteller is her refusal to let any person or group of people become stock characters -- obviously much of the interest of the narrative comes from the truly wild worldbuilding and the puzzlebox nature of the way that it's revealed but an equal amount of it derives naturally from layering a huge cast all of whom do genuinely have distinct goals and viewpoints over and over and over each other before steamrolling them flat with plot to create an enormous and delicious Goth croissant. The best part of Harrow for me was the way it returned to characters from the first book who had little chance to express a viewpoint and gave them more and different opportunities to make unexpected choices. The best part of Nona, for me, is the fact that it is set in a society of refugees who hate necromancers, and the people we are spending some of the most time with are refugee kids who are not at all important in the grand scheme of the plot and have nothing to do with the epic scope of the narrative but are important to our viewpoint character and so they are important to the narrative regardless.
Obviously I also liked seeing the returning characters again and getting a strictly limited third person's eye view on characters who are now familiar enough to me that I can put together implications from things the viewpoint character observes but does not understand is a very enjoyable way for me to read, especially now that I trust Muir enough to believe that every character is going to have interesting layers to their story sooner or later .... I guess technically 'getting a strictly limited third person's eye view about things the viewpoint character observes but does not understand' was also true of Harrow but it frustrated me there and delighted me here, no shade to Harrow.
And of course Cam and Pal have been some of my favorites since book 1 and tragic desperately loyal body-sharing is for me an absolute catnip trope, and I'm more intrigued by Coronabeth and Judith after this book than I ever have been previously, and the combo of backstory details dropped about the past Lyctors in the last two books has now built up enough detail to make for an interesting puzzlebox rather than a frustrating one.
So, overall, three books in ... I am engaged! I am invested! I'm on board!! It's probably also relevant that this is the least meme-y book yet and I do want to thank Tamsyn Muir for that ... I do not wish to deny her joy but I did need it. Just a little break. A breather. An opportunity to relax into a chapter without bracing to be absolutely bodyslammed by Essence of Tumblr 2014.
On my second read I had more patience for HtN -- as I suspected, knowing what's going on and being able to go slow and look out for the interesting clues the narrative is laying with an eye to what they actually signify made for a better reading experience than zooming through the book with ferocious impatience while dodging piles of glistening viscera -- but it is still and I think will always be a book that is more interesting than enjoyable for me.
Nona the Ninth, on the other hand, I both respected and enjoyed enormously! tbh I think one of Muir's greatest talents as a storyteller is her refusal to let any person or group of people become stock characters -- obviously much of the interest of the narrative comes from the truly wild worldbuilding and the puzzlebox nature of the way that it's revealed but an equal amount of it derives naturally from layering a huge cast all of whom do genuinely have distinct goals and viewpoints over and over and over each other before steamrolling them flat with plot to create an enormous and delicious Goth croissant. The best part of Harrow for me was the way it returned to characters from the first book who had little chance to express a viewpoint and gave them more and different opportunities to make unexpected choices. The best part of Nona, for me, is the fact that it is set in a society of refugees who hate necromancers, and the people we are spending some of the most time with are refugee kids who are not at all important in the grand scheme of the plot and have nothing to do with the epic scope of the narrative but are important to our viewpoint character and so they are important to the narrative regardless.
Obviously I also liked seeing the returning characters again and getting a strictly limited third person's eye view on characters who are now familiar enough to me that I can put together implications from things the viewpoint character observes but does not understand is a very enjoyable way for me to read, especially now that I trust Muir enough to believe that every character is going to have interesting layers to their story sooner or later .... I guess technically 'getting a strictly limited third person's eye view about things the viewpoint character observes but does not understand' was also true of Harrow but it frustrated me there and delighted me here, no shade to Harrow.
And of course Cam and Pal have been some of my favorites since book 1 and tragic desperately loyal body-sharing is for me an absolute catnip trope, and I'm more intrigued by Coronabeth and Judith after this book than I ever have been previously, and the combo of backstory details dropped about the past Lyctors in the last two books has now built up enough detail to make for an interesting puzzlebox rather than a frustrating one.
So, overall, three books in ... I am engaged! I am invested! I'm on board!! It's probably also relevant that this is the least meme-y book yet and I do want to thank Tamsyn Muir for that ... I do not wish to deny her joy but I did need it. Just a little break. A breather. An opportunity to relax into a chapter without bracing to be absolutely bodyslammed by Essence of Tumblr 2014.
no subject
Date: 2022-12-26 11:29 pm (UTC)no subject
Date: 2022-12-27 12:13 am (UTC)no subject
Date: 2022-12-27 12:14 am (UTC)no subject
Date: 2022-12-27 03:07 am (UTC)no subject
Date: 2022-12-27 04:47 pm (UTC)no subject
Date: 2022-12-27 11:04 pm (UTC)no subject
Date: 2022-12-27 11:06 pm (UTC)no subject
Date: 2022-12-27 11:17 pm (UTC)1. thematically it is becoming increasingly clear that the series is thematically concerned with grief, trauma, entropy, and the relationship between humans and the worlds they live on in ways that I think will be really interesting to you if you can get there, whether or not you agree with its takes
2. book two in particular is very profoundly a book about grief and a well-done book about grief and the various weird tricks the mind plays in coping with it, and I think may well work much better for you than it did for me in much the same way the "Hard Times" episode of DS9 works better for you than for me. NB: I just reread the synopsis for "Hard Times" to check whether I felt confident in that comparison and I do in fact feel even more confident in it now than I did before I read the synopsis
3. all that said .... the memes remain. but it will probably be quite easy to tell within the first couple chapters whether you will bounce off the prose of the first book so hard that you will simply want to throw it across a room too many times per chapter to get anywhere ... so I think I'm coming down on you might as well give it a shot and see if it's impassable?
no subject
Date: 2022-12-27 11:19 pm (UTC)no subject
Date: 2022-12-27 11:21 pm (UTC)no subject
Date: 2022-12-27 11:24 pm (UTC)no subject
Date: 2022-12-27 11:28 pm (UTC)no subject
Date: 2022-12-28 05:30 pm (UTC)I'm more intrigued by Coronabeth and Judith after this book than I ever have been previously
Have you read Muir's short story As Yet Unsent?
no subject
Date: 2022-12-28 10:31 pm (UTC)*is dead*
It's so true. I think I have had more patience for this than many other people because of the extreme limitedness of my tumblring meaning I didn't start out overexposed.
I do want to reread the whole series with the reveals under my belt, because it's so clear each time I get to the end of each book how much in retrospect I was missing in that book and the prior ones, but given I'm probably just going to feel that *again* after the fourth, I think I may wait and do them all in one go post facto.
no subject
Date: 2022-12-29 11:54 pm (UTC)Yes this! Everyone is always being people. I think when I reread Gideon I had a slightly let down sense of 'Oh, each member of this large cast will get one scene, and have one Thing what is going on with them, but that's all, this worked better when it was all a surprise to me.' But now, having reread Harrow and read Nona, I am fully confident that Muir could have written a whole novel from the perspective of any of them.
no subject
Date: 2022-12-30 05:14 pm (UTC)no subject
Date: 2023-01-02 04:10 pm (UTC)no subject
Date: 2023-01-02 04:11 pm (UTC)Your limited tumblr experience makes you so powerful!!!
no subject
Date: 2023-01-02 04:14 pm (UTC)no subject
Date: 2023-01-02 04:14 pm (UTC)no subject
Date: 2023-01-04 10:03 pm (UTC)no subject
Date: 2023-01-06 03:13 am (UTC)no subject
Date: 2023-01-09 10:12 pm (UTC)