skygiants: Bunny-suit Kenji from 20th Century Boys saying 'this is the defender of justice who's gonna save the world from danger' (love and peace are on hold)
[personal profile] skygiants
Okay, so between yesterday and today I have read Volume 7 of 20th Century Boys and Volume 1 of Pluto, which makes this Let's Talk About Naoki Urasawa Day over here.

In news that is unsurprising to anyone, Twentieth Century Boys continues to be my favorite Urasawa series. (Whyyyy is there only one volume every two months ;_; My life, it is tragic.) This volume did not make me shriek quite as much as the last one, but the story is pretty clearly continuing to build to awesome! [livejournal.com profile] elspeth_vimes, you were right, I love Kyoko KIND OF A LOT - a little bit spacy, kind of self-centered in a teenagerish way, but also clearly really smart when she puts her mind to it! And a guitarist fangirl, which is going to be really interesting in context, one suspects. I really hope she gets to meet up with Kanna in the next volume. *_* (But where was Kanna in this volume? And Little Cho? AND YUKIJI? I mean, not that The Adventures of Otcho and his Manga Artist Sidekick were not awesome as well.)

In more plot-relevant news, it was pretty obvious that Friend was not going to turn out to be Sadakiyo, not just because that would be way too early a reveal, but also because it was patently ridiculous how much Fukubei was trying to make it All About Him. "AND he got your sister pregnant, Kenji . . . BECAUSE HE WAS MAD AT ME!" The logic does not quite work there. I also facepalmed at Kenji hesitating to kill the-guy-he-thought-was-Friend because . . . HE'S KANNA'S DAD! I mean, it makes total sense for Kenji, because he's Kenji, BUT STILL. Also, I loved many aspects of the confrontation scene (Kenji and Maruo singing in the car: BEST) but I really, really wish that every character had not taken the time to stop and try to send Yukiji home. HOW MANY TIMES must she prove that she is more badass than any of them? How many times!

(Also: Mon-chan. :( :( :()

The first volume of Pluto I just finished on the subway this morning, and I am a.) really fascinated by the worldbuilding and interested to see where it is going and b.) really, really torn about whether to stop and go read the Astro Boy story it's based on, or, alternately, read all of Pluto, go find the Astro Boy story, and then read Pluto again! (It's only eight volumes or so . . . so it won't take that much time! Um.) So far, the story as I read it - completely unspoilered by any context - appears to be about a mysterious killer who is taking out famous/influential robots, and the robot detective who is investigating the case. The part that fascinates me is the range of robots we see and their integration into society - some of them look completely human and some of them don't at all, but regardless of their appearance they can marry, hold paid jobs, adopt children. (I kind of loved Prizefighter Robot and his five million adopted kids, I'm not going to lie.)

It does keep throwing me, I'll admit, how similar the character designs are to some of the designs in Monster. I don't have this problem with the art in 20th Century Boys - while it's totally recognizable Urasawa and there is some overlap in character designs (Kanna and Nina, anyone?) most of the main cast look different enough that I'm not jarred - but with Pluto I keep forgetting that I'm reading a totally non-Monster story and being like "HEY AN UNDERGROUND JAPANESE DOCTOR IS THAT - no. No, that's definitely not." It doesn't help that it's set in Germany. Though I do love the thought that Urasawa puts into drawing his futuristic cities. And also, into everything, because, let's face it, it's Naoki Urasawa.

Date: 2010-02-24 06:27 pm (UTC)
From: [identity profile] futuresoon.livejournal.com
Have not read new 20th Century Boys, but, PLUTO. You are right about the character designs! Apparently there is later a good guy who looks distressingly like Johan, which should be, uh, interesting. ALSO WHAT DID YOU THINK OF THE ROBOT WITH THE COMPOSER, THAT MADE ME CRY SO HARD D: D: D:

Date: 2010-02-24 06:39 pm (UTC)
From: [identity profile] futuresoon.livejournal.com
Yeah, I did not really care about the composer either, BUT THE ROBOT. AND THE ENDING. I will cry lots if Jovial Prizefighting Robot dies too, but let's face it, he is probably going to. D: D: D:

--I just read the fifth volume of FMA, actually, and I am kind of really looking forward to getting to the Ishval bits >.> TRAUMA IS INTERESTING, WHAT CAN I SAY.

Date: 2010-02-25 02:46 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
...That icon. I love it.

And yeah, Epsilon looks a lot like Johan. You get kinda worried when you seem him around tons of kids, even though he is sweet and looking after them.

Date: 2010-02-25 02:56 am (UTC)
From: [identity profile] futuresoon.livejournal.com
It is one of my pride and joys, not gonna lie. *g* (Yours is also pretty loltastic.)

Augh, he works with kids? ASSOCIATION DNW. D: D: D: But I trust in Urasawa to make it work.

Date: 2010-02-25 03:01 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
With good reason, I believe. (Thank you!)

HE ADOPTS WAR ORPHANS. It's actually really sweet and adorable and touching once you get past the character design issue. But for a while there it is hard not to be very nervous.

Date: 2010-02-24 07:00 pm (UTC)
From: [identity profile] ojuzu.livejournal.com
I'm having the same thing with 20th Century Boys as I did with Monster, where I see Urasawa cram all these storylines in and wonder how on earth this will all get solved by the end. :D But I am SAD that the boys still don't recognize that Yukiji is cooler than all of them. Except maaaaybe Otcho, and the only way to solve that would be some sort of fighting contest involving Badass Longcoats.

I just love the Otcho + Manga Artist subplot. *_* SO MUCH. Even if I really miss Kanna. Kyoko's fun, though.

I knew you would love Pluto! (I also had several "Ishbal -- no, wait, Persia" moments, btw.) The whole robots/humans thing is super-interesting to me, and I'm very carefully not reading/watching Astro Boy until I finish Pluto, because SPOILERS OMG.

Prizefighter Robot is fantastic! And I shall say nothing more at all because I finished volume four and I don't want to blab anything. ;)

Date: 2010-02-25 02:43 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
I JUST GOT MY COPY OF VOLUME 7 TODAY AND HAVE BEEN REREADING IT IN SNATCHES OF TIME STOLEN FROM SCHOOLWORK. 8D

AND I AM GLAD YOU LOVE KYOKO, I just think she's a great idea for a character, and she gets some pretty damn awesome stuff. And she just makes me grin. I mean, of course that famous picture of the fearsome Kenji Faction just looks, like, totally fake. Duh.

The whole thing with the guys wanting Yukiji to stay back does bother me, but not all that much, since I just assume they're all acting on the same reasoning which stopped Kenji from contacting her initially- if things go to hell, the only person who could possibly protect Kanna and see that she gets raised properly is Yukiji. The guys just aren't that good!

God, I cannot wait for volume 8. It has some of the absolute best scenes in the series. (And yes, Kanna and Cho will be joining Kyoko, God, Otcho, and Otcho's manga-ka fanboy for volume 8.)

AS FOR PLUTO. Man, I think too much about that series.

I only really hit a problem with Pluto's character designs in two cases that turn up later on- Epsilon (who looks like Johan wearing a Nina wig, but who is actually good!) and Principle Ban (who looks exactly like Dr. Reichwein, since Urasawa had already used Tezuka's character design of Ban as the basis for Reichwein). The rest of the important cast feels individual enough to me. Though I do admit that I found it hilarious that of the supporting characters he had to choose from do base the perspective flip around, of course Urasawa chose the German cop.

My favorite thing about Pluto is probably the detail that Urasawa lavishes on it. He may only need to draw it for one particular scene in which two characters have a highly significant conversation, but he has fun with and puts thought into what the Bathroom of the Future is like. And then there are details like Gesicht's body language.

I agree that the North No. 2 arc is pretty heavy-handed, but I more than forgive it for that since it introduces a lot of pretty important themes (the 39th Central Asian conflict, how robot emotion is perceived and reacted to, work vs. what a robot might want, deconstructing an unsympathetic human) strongly and in a contained space so as not to drag the pacing down.

I am also amused by the fact that you're getting reminded of Fullmetal Alchemist, since FMA keeps reminding me of things in Pluto. XD

...I also feel obliged to mention [livejournal.com profile] kadath's summation of Pluto, because it is masterful. "Pluto is one long process of having your heart ripped out over and over. ...ilu Urasawa."

...I have tl;dr'd enough now. >.>

Date: 2010-02-25 03:22 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
...PERHAPS WHILE YOUR LAUNDRY IS BEING CLEANED?

Her being the Only Girl is why it does still bother me.

They are all in the same volume at least? And the stuff with Kenji in 8. Ohgod why isn't it out yet. ;_;

EPSILON IS NICE, REALLY. HE IS THE PACIFIST ROBOT. Who looks like Johan. >.>

Yeah, the Themes get much more in-depth treatment later on, but it's kind of nice to be alerted to them in a concentrated effort that's wrapped up quickly. And I have to admit, I just kinda love North no. 2.

I am looking forward to you getting to some of the bigger FMA parallels, so we can talk about them! And you know, somehow I am also unsurprised.

...Pluto made me cry. It was the first time I'd cried at a work of fiction since I read Otherland for the first time. I had gone over 3 years, Urasawa!

OKAY, MAYBE NOT, BUT I TRY (http://roboterpolizist.livejournal.com/1989.html). >.>

Date: 2010-02-25 04:33 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
THAT IS WHAT LAUNDRY TIME IS FOR.

Oh, she comes back! Setsuko has not given up the Good Fight! I love her.

why so far away, April?

Ooh, yes, I love that particular design. There are some other robots with variations on it, I really enjoy watching (...reading?) them.

Japan: Providing you with Deeply Significant Wars in Deserts.

...Then, for the sake of Urasawa's survival, I have no choice but to make more people read his works!

oh god Robby's wife. ;_; I, er, think a lot about Gesicht. I have to in order to be able to play him at all, he's one of the hardest characters I've ever picked up to get right. A lot of that difficulty comes from just how much emotion he's learned and just how much of that he'll show, so that aspect in particular is one that I pay a lot of attention to and which has come to fascinate me. >.>

Date: 2010-02-26 04:51 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
Bechdel-test passing ftw indeed!

I have no comment. I admire your willpower. ...I just don't have it.

Oh, man, the character design differences can bring up some really interesting questions. But I still encourage waiting until you've read all of Pluto to read the original arc, because Urasawa is just so good at suspense.

Pluto doesn't deal with the commission of atrocities nearly as much as FMA does, to be honest. It does have some very strong pacifistic themes, though. Which is very much in keeping with Tezuka, who was very anti-war. (Someone has to have written about this, it's such a great topic...)

...I might have gotten a text yesterday which read "I'm reading 20th Century Boys and it's amazing and all your fault." It made my day.

Her character design is so cute! Her role is so heartbreaking!
I do enjoy the challenge, I admit. Gesicht demands so much intellectual engagement!

Also, um, I have been wondering, do I need to hurt people at the Post Office for their failure to deliver letters?

Date: 2010-02-26 10:15 pm (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
A NOBLE CAUSE. ...How far are you then? I just finished chapter 83.

I must look at my academic databases soon, then!

I love being an enabler. It is a good life.



I could never hurt you! BECAUSE YOU ARE AWESOME. I just have a distrust of the post office which I sometimes seek to indulge in.

Date: 2010-02-27 05:40 pm (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
I'm taking the "I will watch more of the new anime after I'm all caught up with the manga" approach. I've seen the first 5 episodes. ...And I watched 10 just to see how well they'd pull it off. >.>

We are happy to be enabled by you!

Your noble assumption of responsibility just makes you more awesome.

Date: 2010-02-27 11:21 pm (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
Watching buddies are indeed wonderful!

I thought the episode rushed the events, to be honest. And the death itself seemed more melodramatic than in the manga.


Truly, an inspiration to us all!
Edited Date: 2010-02-27 11:21 pm (UTC)

Date: 2010-03-01 02:31 am (UTC)
From: [identity profile] elspeth-vimes.livejournal.com
This is true. (And that is a very good approach! I like the anime, but I would probably appreciate it more if I weren't getting annoyed at things it leaves out. >.>)

It is worthy. So worthy.

Date: 2010-02-25 06:16 am (UTC)
the_croupier: (Default)
From: [personal profile] the_croupier
I've read the first three volumes of Pluto, and the story keeps developing very well. Well enough, in fact, that I'm just going to wait for the rest of the books and then read them through.

I never actually watched Astro Boy, so I'm impressed the story has grabbed me as well as it has.

Date: 2010-02-25 03:52 pm (UTC)
the_croupier: (Default)
From: [personal profile] the_croupier
If you do go back to AB, I'll be curious to hear what you think and if it turned out to be equally interesting.

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