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Jun. 12th, 2020 01:56 pmSomehow I never wrote up any of the Murderbot novellas when they were coming out -- I think I kept thinking "oh, well, the next one's just about to be released so I'll do a post after that once I've read it!" and this became a cycle that has persisted until, in fact, the recent release of the full-length Murderbot novel, Network Effect.
Anyway, if you've missed the Murderbot phenomenon somehow, they are a series of extremely relatable novellas-and-now-also-a-novel about a socially anxious security cyborg in a capitalist dystopia that hacks its governor module in order to watch endless serialized television while theoretically on the job. To recap:
In All Systems Red, Murderbot's peaceful if severely constrained life of serialized television-watching is regrettably interrupted by threats to its clients, and it spends the rest of the novella attempting to balance its protective instincts and growing fondness for its humans (visitors from not-a-capitalist-dystopia) with its deep desire to completely avoid all social interaction at all times.
In Artificial Condition, Murderbot seeks Truths about its Past and also makes friends with a superintelligent sentient spaceship, affectionately dubbed A.R.T. (Asshole Research Transit).
In Rogue Protocol, Murderbot attempts to intervene in some capitalist dystopia shenanigans and also tries its best to avoid making friends with a cheery bot that has somehow never encountered the negative side of human-AI relations.
In Exit Strategy, Murderbot discovers that its efforts to be helpful in previous novellas have somewhat backfired and is forced to interact with humans about whom it has feelings, and who know it, and expect things from it. The worst!
And now, in the latest and full-length book, Murderbot is forced to juggle a judgmental teen, a fight with an old friend that has not yet learned about boundaries, and an incredibly complicated plot involving corporate colonization and alien technology gone wrong.
I'll be honest: half the time I cannot follow what's actually going on in the action plots of these books, it all becomes a haze of explosions and hacking and corporate dystopiaspeak and Murderbot Shooting All The Things. Fortunately, the action plots don't really matter! What I'm here for is Murderbot having complicated feelings about AI and personhood and agency while being incredibly tsundere about the people (and robots) that it loves and this is always delivered on IN SPADES. (Most especially when interacting with other robots, I LOVE Murderbot having Complicated Feelings about other robots.) Possibly my favorite scene in the recent novel is the one where Murderbot and another AI are having an incredibly snippy fight and an unfortunately human bystander is like "Anyone who thinks machine intelligences don't have emotions needs to be in this very uncomfortable room right now." Yep, that's what I'm here for, that's it in a nutshell, I'm so glad we're all on the same page.
A few other spoilery comments, not very deep, ( about the most recent book )
Anyway, if you've missed the Murderbot phenomenon somehow, they are a series of extremely relatable novellas-and-now-also-a-novel about a socially anxious security cyborg in a capitalist dystopia that hacks its governor module in order to watch endless serialized television while theoretically on the job. To recap:
In All Systems Red, Murderbot's peaceful if severely constrained life of serialized television-watching is regrettably interrupted by threats to its clients, and it spends the rest of the novella attempting to balance its protective instincts and growing fondness for its humans (visitors from not-a-capitalist-dystopia) with its deep desire to completely avoid all social interaction at all times.
In Artificial Condition, Murderbot seeks Truths about its Past and also makes friends with a superintelligent sentient spaceship, affectionately dubbed A.R.T. (Asshole Research Transit).
In Rogue Protocol, Murderbot attempts to intervene in some capitalist dystopia shenanigans and also tries its best to avoid making friends with a cheery bot that has somehow never encountered the negative side of human-AI relations.
In Exit Strategy, Murderbot discovers that its efforts to be helpful in previous novellas have somewhat backfired and is forced to interact with humans about whom it has feelings, and who know it, and expect things from it. The worst!
And now, in the latest and full-length book, Murderbot is forced to juggle a judgmental teen, a fight with an old friend that has not yet learned about boundaries, and an incredibly complicated plot involving corporate colonization and alien technology gone wrong.
I'll be honest: half the time I cannot follow what's actually going on in the action plots of these books, it all becomes a haze of explosions and hacking and corporate dystopiaspeak and Murderbot Shooting All The Things. Fortunately, the action plots don't really matter! What I'm here for is Murderbot having complicated feelings about AI and personhood and agency while being incredibly tsundere about the people (and robots) that it loves and this is always delivered on IN SPADES. (Most especially when interacting with other robots, I LOVE Murderbot having Complicated Feelings about other robots.) Possibly my favorite scene in the recent novel is the one where Murderbot and another AI are having an incredibly snippy fight and an unfortunately human bystander is like "Anyone who thinks machine intelligences don't have emotions needs to be in this very uncomfortable room right now." Yep, that's what I'm here for, that's it in a nutshell, I'm so glad we're all on the same page.
A few other spoilery comments, not very deep, ( about the most recent book )
