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May. 13th, 2011 10:12 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The main result of picking up Gloria Naylor's Mama Day while in the middle of a Tiffany Aching reread is that it made me realize right away that the title character is basically a Discworld witch. Mama Day is older than she looks, and exactly as cranky as she looks, and matriarch to a whole island; in times of great need she does things that might be magic, that probably are magic, but for the most part it's the things she does that aren't magic but are just plain practicality and common sense and doing what need to be done that matter most. (She is a master of headology.) She is wonderful. The community she dominates is wonderful too - Willow Springs is an island just off the coast of two states and therefore not officially a part of either of them, a former plantation whose inhabitants were freed and deeded the land somewhere back in a legend, the details of which nobody quite knows except that it involved Mama Day's own great-grandmother being awesomer than everyone. What this means is that Gloria Naylor gets to write a book set in the 1980's in which a black community has cheerfully and independently flourished for nearly two hundred years without worrying much at all about institutionalized oppression, a book with nearly no white people in it at all, and you can tell she is enjoying it immensely. These are the things about the book I loved.
The things about the book I did not love involve, uh, the relationship that the main plot centered around. It starts off well - Ophelia-called-Cocoa, Mama Day's great-niece, has gone off to be a career woman in New York (the bits from her perspective are first-person with this fantastic jaded astute voice) and she meets George, a serious intellectual dude with a strong work ethic who is her total opposite but is of course perfect for her, and here is where I run into trouble. I wanted to like George. I really did! From the outside he's awesome! He reads Shakespeare, and he calls Cocoa on her casual stereotyping (there's this awesome conversation where Cocoa is going on about how the bagels are in power but pretty soon the spareribs or oles are going to take over, and he stops and goes "Why are people food to you?") and he's invested in getting to know all the weird little places around New York and you guys know that that is something I believe in. But the problem is that he's so smug about all this! I really, really wish we never saw him in his own POV, but alas we do, and in his POV he's so self-righteously insufferable that I just want to tell him to get off my side. Also, he is a textbook Nice Guy - there's a whole page where he talks about all the hot girls who wouldn't look twice at him back in college because he was so dull, and now he's totally successful and too bad you were too jaded and shallow to notice, ladies! I mean, I quote: "Often I had wanted to go over and shake some silk-clad shoulder who thought she was righteously justified in spreading the tired old gospel about not being able to meet good black men. She had met me." Seriously, George? I'm not saying Cocoa is perfect, but after they get together, it's her who changes herself and her whole lifestyle while he goes on about how interesting it is to live with a woman, oh what a mysterious and irrational being! MY LEAST FAVORITE STEREOTYPE. Even after they're married (not a spoiler, this is revealed on page one) it takes him like FOUR YEARS to get around to going back to Willow Springs and meeting her family, the most important people in her life, because he can't miss football season. And it is presented as an unfairness in her to be upset by this. (At this point I was frustrated not just because of George being a jerk but also because the back cover told me the plot wouldn't start happening until they got there. COME ON, GEORGE, HAVE PITY ON US. Plot >>>> football!)
. . . I did not mean to rant this long, and I do think this book is worth reading, for the fantastic rich voice and for Willow Springs and for Mama Day and for Cocoa, for all the relationships among strong women. But man, I just kind of wanted to surgically remove George from the narrative.
The things about the book I did not love involve, uh, the relationship that the main plot centered around. It starts off well - Ophelia-called-Cocoa, Mama Day's great-niece, has gone off to be a career woman in New York (the bits from her perspective are first-person with this fantastic jaded astute voice) and she meets George, a serious intellectual dude with a strong work ethic who is her total opposite but is of course perfect for her, and here is where I run into trouble. I wanted to like George. I really did! From the outside he's awesome! He reads Shakespeare, and he calls Cocoa on her casual stereotyping (there's this awesome conversation where Cocoa is going on about how the bagels are in power but pretty soon the spareribs or oles are going to take over, and he stops and goes "Why are people food to you?") and he's invested in getting to know all the weird little places around New York and you guys know that that is something I believe in. But the problem is that he's so smug about all this! I really, really wish we never saw him in his own POV, but alas we do, and in his POV he's so self-righteously insufferable that I just want to tell him to get off my side. Also, he is a textbook Nice Guy - there's a whole page where he talks about all the hot girls who wouldn't look twice at him back in college because he was so dull, and now he's totally successful and too bad you were too jaded and shallow to notice, ladies! I mean, I quote: "Often I had wanted to go over and shake some silk-clad shoulder who thought she was righteously justified in spreading the tired old gospel about not being able to meet good black men. She had met me." Seriously, George? I'm not saying Cocoa is perfect, but after they get together, it's her who changes herself and her whole lifestyle while he goes on about how interesting it is to live with a woman, oh what a mysterious and irrational being! MY LEAST FAVORITE STEREOTYPE. Even after they're married (not a spoiler, this is revealed on page one) it takes him like FOUR YEARS to get around to going back to Willow Springs and meeting her family, the most important people in her life, because he can't miss football season. And it is presented as an unfairness in her to be upset by this. (At this point I was frustrated not just because of George being a jerk but also because the back cover told me the plot wouldn't start happening until they got there. COME ON, GEORGE, HAVE PITY ON US. Plot >>>> football!)
. . . I did not mean to rant this long, and I do think this book is worth reading, for the fantastic rich voice and for Willow Springs and for Mama Day and for Cocoa, for all the relationships among strong women. But man, I just kind of wanted to surgically remove George from the narrative.
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Date: 2011-05-13 03:11 pm (UTC)no subject
Date: 2011-05-13 03:16 pm (UTC)no subject
Date: 2011-05-13 03:18 pm (UTC)That would definitely be a problem.
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Date: 2011-05-13 03:47 pm (UTC)I'll put it on the "to be read later (maybe)" list for the women and the idea of Willow Springs.
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Date: 2011-05-13 04:52 pm (UTC)no subject
Date: 2011-05-13 04:33 pm (UTC)*rolls eyes so hard* Apart from George, this sounds like a great book -- I'll look out for it.
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Date: 2011-05-13 04:57 pm (UTC)But other than George it definitely is worth looking out for! Or for more Gloria Naylor in general, I would imagine.