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Apr. 25th, 2016 06:00 pmThis weekend I was trying to explain Brat Farrar to
genarti thusly: "It's sort of like what I imagine a Dick Francis novel is like? IT HAS LOTS OF HORSES IN IT."
genarti looked skeptical of the validity of this comparison, as indeed she might well, because, as you guys know, I have never in fact read a Dick Francis novel. But I liked Brat Farrar a lot so now my subconscious is probably going to be more warmly inclined towards Dick Francis in future.
Brat Farrar is one of those books where a conveniently missing-presumed-dead heir coincides with a convenient lookalike -- the titular Brat Farrar, a twenty-something horse-obsessed drifter who's been having a hard time finding work after an accident that gave him a permanent limp. Brat is discovered by an unscrupulous individual right as Simon Ashby, whose older twin Patrick fell off a cliff at the age of 13, is about to come of age and into Patrick's inheritance.
UNSCRUPULOUS INDIVIDUAL: All you have to do is sashay in and say that you're Patrick and you ran away instead of throwing yourself off a cliff and it was all a misunderstanding! NOBODY WILL KNOW.
BRAT FARRAR: This sounds very unethical and I am very uninterested.
UNSCRUPULOUS INDIVIDUAL: And then you would be come into all this money and be heir to the family's very lovely stables and --
BRAT FARRAR: ... wait hold the phone, did you say horses? Like, I could work in the stables?
UNSCRUPULOUS INDIVIDUAL: Um, I mean, yes, you would own the stable, and also have giant pots of money, so ...
BRAT FARRAR: You have stumbled on the one temptation I cannot resist, LEAD ME TO THE HORSES IMMEDIATELY.
So Brat, with a few mild twinges of conscience, sails into the impersonation game and meets the rest of the family, including Original Patrick's aunt and three younger sisters, and discovers .... awkwardly .... that, with the exception of Charming But Resentful Fake Twin Simon, he actually really, really likes all of them ...... and they all really like him ...........
(In some cases, of course, a little too much:
BRAT: Hmmm, I wonder why it bugs me so much when my littlest fake sisters tell me that cool, pretty, clever, possibly even more horse-obsessed than me Fake Sister Eleanor might have a boyfriend ...?
BRAT: WHOA WAIT. SELF. FAKE PATRICK. STOP THIS, FAKE PATRICK. DON'T MAKE IT WEIRD, FAKE BRO.)
And, you know, there is a mystery about what really happened to Original Patrick, and some suspense and maybe some attempted murder and so on, and all this is fun but really the stuff that's interesting about the book is this family, the conflict between Brat's increasing feelings like he does belong with this family (......except for the parts that are weird, DON'T MAKE IT WEIRD BRAT) and his underlying knowledge that his whole presence there is based on a lie. It's on both sides, too -- the other POV character besides Brat is Fake Patrick's Aunt Bee, who's been raising the kids for the past ten years, so you get to see the family's growing attachment to Fake Patrick through her, and what his return means to them; everyone is very sympathetic and it's super emotionally compelling.
Also there is a really fantastic horse that murders people for fun, I'm so fond of the murder horse.
(Things I'm less fond of: Josephine Tey's classism and the fact that, despite her many interesting female characters, she clearly considers girls who do not like horses to be a bit less sympathetic than girls who do, BUT YOU KNOW.)
Brat Farrar is one of those books where a conveniently missing-presumed-dead heir coincides with a convenient lookalike -- the titular Brat Farrar, a twenty-something horse-obsessed drifter who's been having a hard time finding work after an accident that gave him a permanent limp. Brat is discovered by an unscrupulous individual right as Simon Ashby, whose older twin Patrick fell off a cliff at the age of 13, is about to come of age and into Patrick's inheritance.
UNSCRUPULOUS INDIVIDUAL: All you have to do is sashay in and say that you're Patrick and you ran away instead of throwing yourself off a cliff and it was all a misunderstanding! NOBODY WILL KNOW.
BRAT FARRAR: This sounds very unethical and I am very uninterested.
UNSCRUPULOUS INDIVIDUAL: And then you would be come into all this money and be heir to the family's very lovely stables and --
BRAT FARRAR: ... wait hold the phone, did you say horses? Like, I could work in the stables?
UNSCRUPULOUS INDIVIDUAL: Um, I mean, yes, you would own the stable, and also have giant pots of money, so ...
BRAT FARRAR: You have stumbled on the one temptation I cannot resist, LEAD ME TO THE HORSES IMMEDIATELY.
So Brat, with a few mild twinges of conscience, sails into the impersonation game and meets the rest of the family, including Original Patrick's aunt and three younger sisters, and discovers .... awkwardly .... that, with the exception of Charming But Resentful Fake Twin Simon, he actually really, really likes all of them ...... and they all really like him ...........
(In some cases, of course, a little too much:
BRAT: Hmmm, I wonder why it bugs me so much when my littlest fake sisters tell me that cool, pretty, clever, possibly even more horse-obsessed than me Fake Sister Eleanor might have a boyfriend ...?
BRAT: WHOA WAIT. SELF. FAKE PATRICK. STOP THIS, FAKE PATRICK. DON'T MAKE IT WEIRD, FAKE BRO.)
And, you know, there is a mystery about what really happened to Original Patrick, and some suspense and maybe some attempted murder and so on, and all this is fun but really the stuff that's interesting about the book is this family, the conflict between Brat's increasing feelings like he does belong with this family (......except for the parts that are weird, DON'T MAKE IT WEIRD BRAT) and his underlying knowledge that his whole presence there is based on a lie. It's on both sides, too -- the other POV character besides Brat is Fake Patrick's Aunt Bee, who's been raising the kids for the past ten years, so you get to see the family's growing attachment to Fake Patrick through her, and what his return means to them; everyone is very sympathetic and it's super emotionally compelling.
Also there is a really fantastic horse that murders people for fun, I'm so fond of the murder horse.
(Things I'm less fond of: Josephine Tey's classism and the fact that, despite her many interesting female characters, she clearly considers girls who do not like horses to be a bit less sympathetic than girls who do, BUT YOU KNOW.)
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Date: 2016-04-25 10:41 pm (UTC)no subject
Date: 2016-04-26 12:06 am (UTC)no subject
Date: 2016-04-25 11:07 pm (UTC)Do you know about Jo Walton's theory that Brat Farrar is set in an alternate universe? It comes out of the way that Tey set it sort of half-heartedly after WWII, so that people mention Hitler and the War occasionally but there's no real sign of the effects the War actually had on England - and then there's the bit where someone casually mentions a holiday to France eight years ago, in a book published in 1949.
Jo figured out that all of these references could be reconciled by positing an alternate timeline where England got a different government after Chamberlain resigned, which signed a peace agreement with Germany early on, leaving England sitting pretty while Hitler got on with ravaging the continent.
(Then she actually wrote a novel of her own set in that timeline - Farthing, which is a deconstructed country house murder mystery, is excellent and I really should get around to reading the sequels one of these days.)
I remember once Jo was explaining all this online, and somebody remarked that they didn't like to think of the horrible things that might happen to our beloved Ashbys in an England ruled by people who didn't mind Hitler. And Jo said no, it was much worse than that: for the Ashbys, and the people the Ashbys cared about, it wouldn't make any difference.
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Date: 2016-04-26 12:12 am (UTC)(My secret favorite character is the Terrible Shallow Teenager who can't ride horses and dreams about seducing Simon. She's more straightforward than anybody! In a book primarily centered around TWO HUGE LIES you would think SOMEONE would recognize that that sort of honesty is a virtue.)
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Date: 2016-04-26 02:03 am (UTC)(no subject)
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Date: 2016-04-26 08:29 pm (UTC)Yeah, that is legit terrifying.
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Date: 2016-04-26 12:43 am (UTC)no subject
Date: 2016-04-26 12:46 am (UTC)Someday I will read Dick Francis but for now my subconscious is still having so much fun with never having read Dick Francis that I'm going to let it enjoy itself a little longer. :D
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Date: 2016-04-26 01:17 am (UTC)no subject
Date: 2016-04-26 01:52 am (UTC)Found it
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From:Re: Thanks!
From:Re: Thanks!
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Date: 2016-04-26 01:18 am (UTC)no subject
Date: 2016-04-26 01:55 am (UTC)no subject
Date: 2016-04-26 01:27 am (UTC)LEAVE THE FRANCHISE AFFAIR TILL LAST. MAYBE SKIP IT ENTIRELY.
I am so fond of this one.
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Date: 2016-04-26 01:56 am (UTC)(no subject)
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Date: 2016-04-26 02:28 am (UTC)*adds The Franchise Affair to the "do not reread unless you want to know for sure just how bad this book that used to be a favourite really is" pile, next to Bulldog Drummond*
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Date: 2016-04-26 02:51 am (UTC)Incidentally, if you are looking to get into Dick Francis, there are 3 books I would recommend. In descending order they are:
Flying Finish
To the Hilt
Banker
The rest of the books kind of blur together in my mind, but those 3 stick out. In particular Flying Finish has an awesome heroine who is doing spoilery and very subversive awesome things. Things which would still be kind of controversial in 2016, and she was doing them in 1966.
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Date: 2016-04-26 03:02 am (UTC)No, there's stuff in Brat Farrar class-wise that is moderately annoying, but it's enough out of focus and the central plot and characters are charming enough that it didn't ruin the book for me.
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Date: 2016-04-26 03:02 am (UTC)Hee! <3
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Date: 2016-04-26 06:57 pm (UTC)(no subject)
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Date: 2016-04-26 03:06 am (UTC)Brat Farrar is one of two novels remaining by Josephine Tey that I haven't read! The other, however, is Miss Pym Disposes, which I failed to engage with on first attempt and have been grateful about bouncing from ever since. Also I cannot in any way recommend The Franchise Affair. But I will always love The Daughter of Time and To Love and Be Wise does some really great things I can't talk about without total book spoilers.
Do you want recommendations for Dick Francis? My mother owns every mystery he ever wrote, so I've read a fair number. Reflex (1980) is my favorite.
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Date: 2016-04-26 09:39 pm (UTC)While this was not my actual intent in making this post, I do seem to have come away with a large number of recommendations for Dick Francis. I have quite a lot of mysteries that are currently higher on my list (more Tey, more Allingham, a Sayers reread, a Hambly reread, to name a few) but who knows what will happen next time I am desperately looking for vacation reads.
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Date: 2016-04-26 04:00 am (UTC)Tey's To Love & Be Wise hit me in a lot of the same places as Brat Farrar and it is full of amazing things that cannot be discussed without spoilers.
Also a friend told me about Mary Stewart's The Ivy Tree, which is a genderswapped Brat Farrar! It sounds a lot less interesting in how it resolves the mystery but I want to give it a try anyway.
I back those recs for Dick Francis' Flying Finish and To The Hilt. I also love Bonecrack and Wild Horses. He does mystery so satisfyingly.
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Date: 2016-04-26 08:35 am (UTC)(no subject)
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Date: 2016-04-26 05:07 am (UTC)(Thank you, by the way, for the Elizabeth Sanxay Holding recs. I very much enjoy her work.)
I enjoy Tey's stuff, but for me she's sort of up there with Ngaio Marsh. Charming books, buuuut I suspect if I met these people in real life I would end up biting my tongue a lot before I hauled off and hissed pointed obscenities about how [racist/classist/sexist/generally awful, pick one or all] they are.
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Date: 2016-04-26 09:43 pm (UTC)(Also I'm glad you're enjoying the Holding!)
Heh, yeah, the blinders are there and QUITE VISIBLE, I get the sense they are ... more obvious in some cases than others ......
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Date: 2016-04-26 08:19 am (UTC)You would probably like Francis. His female characters are supporting, but consistently interesting, unconventional, and have their own lives; even if their role in the story is "love interest" (it often isn't) they come across as their own people. In Straight, for instance, the hero has a relationship that's basically fuckbuddies with a married woman with her husband's tacit consent, but the main female character is his brother's assistant who has her own story arc which consists primarily of blossoming as a businesswoman in her own right.
That being said, I second the rec of Flying Finish. It's incredibly suspenseful, has a really likable and unusual heroine, and is the only portrayal of love at first sight that both tries and succeeds at portraying it as something that could happen in real life rather than as a fantasy. (A note on that if you read it: the class issues are not what you might think if it's the only one you read. Most of his heroes are working class, so his titled hero/working class villain is a departure rather than a stereotype.)
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Date: 2016-04-26 09:46 pm (UTC)I will probably like Francis when I get round to reading him! Gen and I actually spent a reasonable amount of time in the car talking about the portrayal of women in Francis vs. Tey .... I mean it was mostly one of us trading examples to the other in each direction, because I've not read Francis and she's not read Tey, but it was a fun conversation regardless.
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Date: 2016-04-26 10:53 am (UTC)This is the one of Tey's mysteries I have actually reread. Most of my mystery-reading experience is Sayers (I've juuuust started dipping my toe in Christie) and Tey sometimes reads like an off-brand Sayers, but Brat Farrar is doing enough of its own thing that I'm able to engage with it on its own merits.
(I do recommend To Love and Be Wise as others have said, though there are some bits that are uncomfortable for me--which is why I don't reread it--it's quite a good one!)
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Date: 2016-04-26 09:48 pm (UTC)I love Sayers terribly but I haven't reread the Wimsey in long enough that it's probably helpful for engaging with Tey as Tey rather than as a Sayers-a-like ... though that said I do want to do a reread sometime soon.
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Date: 2016-04-26 11:20 pm (UTC)no subject
Date: 2016-04-27 12:50 am (UTC)(no subject)
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Date: 2016-04-27 03:05 am (UTC)Catching up on the other Tey recs - I am actually quite fond of The Singing Sands, mainly because it starts on a train and has a lot of Scotland in it, but To Love and be Wise is probably the better book and I like it a lot for spoilery reasons. Miss Pym Disposes - arrrghh. I like it a lot but I do totally agree with the criticisms you've had above. What it does very, very well, is show the whole world of a women's training college (they're learning to be gym instructors/physiotherapists etc) at that late adolescent/early adulthood age that often gets skipped over, with that single-minded focus on their work as well as their interactions, and it's something you don't see a lot of - Gaudy Night is more about the staff than the students, and off-hand similar books I can think of are Pamela Dean's Tam Lin, which has a much more relaxed framework, and Jane Langton's Paper Chains, which is obscure (wow. and I've just checked, and Langton was born in 1922 and is still alive, although last book was 2005). *But* then there's the authorial frame and moral, which has all of the problems others have pointed out - arrgh, again. If you do read it I'd love to hear what you think.
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Date: 2016-04-28 02:16 am (UTC)Helen Eustis' The Horizontal Man (1946) has a convincing and interesting women's college setting, but it also has some serious problems.
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