(no subject)
Nov. 17th, 2016 08:00 pmTo continue the trend of catch-up reviewing fluff I've read over the past month, the Cecelia and Kate novels recently came out in super-cheap omnibus edition, so I spent my work trip back in September rereading them for the first time in about 12 years.
For those unfamiliar, Sorcery and Cecelia: or, the Enchanted Chocolate Pot is basically the ur-example of the Regency fantasy genre recently taken up by such folks as Mary Robinette Kowal and Galen Beckett. It's an epistolary novel co-written by Patricia Wrede and Caroline Stevermer, featuring two sprightly young Regency cousins, one of whom (Kate) goes to London to have her Season with a melodramatic magician, while the other (Cecelia) stays home, starts picking up magic, and bickers with a cranky local squire. Kate and Cecelia write each other copious letters to complain about their respective love interests, gossip about their aunts and siblings, and exchange information regarding important magical conspiracies and also about important new dress patterns, and it's all incredibly charming.
Subsequently Wrede and Stevermer wrote two sequels, The Grand Tour and The Mislaid Magician, or: Ten Years After, which are still enjoyable but do not have the same spark. The Grand Tour is written as a combination of diary (Kate) and court deposition (Cecelia) about events that occurred on their honeymoon trip, which means, first of all, that the book feels sort of unbalanced, because Kate is going on and on in her diary about her magical new nights with her new husband while Cecelia is like OK PALS HERE'S THE FACTS; but also, second of all, neither format really works as well as epistolary for conveying either the voices of the characters or the dynamic between the cousins. Like, they spend all book in the same place, but they don't actually spend much time talking to each other. Which is sort of frustrating!
The Mislaid Magician is better, because it's back to epistolary, but it also incorporates letters from the respective husbands (James and Thomas) along with the ones between Kate and Cecelia, and -- well. Hmmm. You know, I used to like James and Thomas a lot? And it's not that I dislike them now, but all the things they sort of take for granted as Regency dudes grates on me much more now than it did when I was 18. They're not awful! They're perfectly fine! But Sorcery and Cecelia, both Kate and Cecelia spend a great deal of time challenging and deflating the assumptions and self-importance of their love interests, and once they're married -- especially with Thomas and Kate, of whose married relationship we see a great deal more -- it settles into much more of a Regency household status quo. Like, there's a sort of layer of paternalism, an assumption of the husband's rights to Forbid Things and Act Protectively that is of course thoroughly plausible, and it's probably likewise plausible that it wouldn't bother Kate. But it bothers me, a little, though not enough to ruin the books.
For those unfamiliar, Sorcery and Cecelia: or, the Enchanted Chocolate Pot is basically the ur-example of the Regency fantasy genre recently taken up by such folks as Mary Robinette Kowal and Galen Beckett. It's an epistolary novel co-written by Patricia Wrede and Caroline Stevermer, featuring two sprightly young Regency cousins, one of whom (Kate) goes to London to have her Season with a melodramatic magician, while the other (Cecelia) stays home, starts picking up magic, and bickers with a cranky local squire. Kate and Cecelia write each other copious letters to complain about their respective love interests, gossip about their aunts and siblings, and exchange information regarding important magical conspiracies and also about important new dress patterns, and it's all incredibly charming.
Subsequently Wrede and Stevermer wrote two sequels, The Grand Tour and The Mislaid Magician, or: Ten Years After, which are still enjoyable but do not have the same spark. The Grand Tour is written as a combination of diary (Kate) and court deposition (Cecelia) about events that occurred on their honeymoon trip, which means, first of all, that the book feels sort of unbalanced, because Kate is going on and on in her diary about her magical new nights with her new husband while Cecelia is like OK PALS HERE'S THE FACTS; but also, second of all, neither format really works as well as epistolary for conveying either the voices of the characters or the dynamic between the cousins. Like, they spend all book in the same place, but they don't actually spend much time talking to each other. Which is sort of frustrating!
The Mislaid Magician is better, because it's back to epistolary, but it also incorporates letters from the respective husbands (James and Thomas) along with the ones between Kate and Cecelia, and -- well. Hmmm. You know, I used to like James and Thomas a lot? And it's not that I dislike them now, but all the things they sort of take for granted as Regency dudes grates on me much more now than it did when I was 18. They're not awful! They're perfectly fine! But Sorcery and Cecelia, both Kate and Cecelia spend a great deal of time challenging and deflating the assumptions and self-importance of their love interests, and once they're married -- especially with Thomas and Kate, of whose married relationship we see a great deal more -- it settles into much more of a Regency household status quo. Like, there's a sort of layer of paternalism, an assumption of the husband's rights to Forbid Things and Act Protectively that is of course thoroughly plausible, and it's probably likewise plausible that it wouldn't bother Kate. But it bothers me, a little, though not enough to ruin the books.
no subject
Date: 2016-11-18 02:35 am (UTC)(Years later when the third book came out I found it disappointing and I don't remember why, though it may well be because of the stuff you talk about.)
no subject
Date: 2016-11-18 02:58 am (UTC)no subject
Date: 2016-11-18 02:35 am (UTC)How do you feel about Wrede's Mairelon the Magician (1991) and Magician's Ward (1997)?
no subject
Date: 2016-11-18 02:57 am (UTC)Though I always feel like I should like the Mairelon books best, given crossdressing tropes!
no subject
Date: 2016-11-18 03:11 am (UTC)I'm pretty sure it does.
Though I always feel like I should like the Mairelon books best, given crossdressing tropes!
I haven't read either of them in a while (and they are still in boxes with most of my fiction), but I remember really liking Mairelon the Magician and not much liking Magician's Ward except for the romance, which is not usually the way that goes.
no subject
Date: 2016-11-18 03:28 am (UTC)I liked Mairelon, though not as much as I loved Kate unabashedly in S&C. That was in 1991 or '92--I almost feel justified in resenting Ward for not living up to my expectations by the time it rolled around. Almost. Of course it is always up to the author, in the beginning.
S&C was also a milestone of sorts, in retrospect, because I'd read Wrede plentifully and no Stevermer before 1991, and after it (Ward and collabs aside) I read Stevermer and no longer Wrede.
no subject
Date: 2016-11-18 04:25 am (UTC)I bounced almost completely off Sorcery and Cecelia when I read it—shortly after reading Mairelon the Magician—and never followed Stevermer despite multiple recommendations. I wonder what happened.
no subject
Date: 2016-11-19 03:39 am (UTC)I'm not sure I'd rec them specifically to you specifically, if that makes sense, but I like them.
no subject
Date: 2016-11-19 05:22 am (UTC)That makes perfect sense. I'm glad you like them!
no subject
Date: 2016-11-19 04:12 pm (UTC)no subject
Date: 2016-11-19 04:09 pm (UTC)no subject
Date: 2016-11-19 04:52 pm (UTC)no subject
Date: 2016-11-19 04:06 am (UTC)no subject
Date: 2016-11-19 04:06 pm (UTC)I wasn't quite sure what to make of it, but concur that
no subject
Date: 2016-11-19 04:13 pm (UTC)no subject
Date: 2016-11-19 11:50 pm (UTC)Back to the original topic, your post is making me want to reread Sorcery and Cecelia which I don't think I've read in more than 12 years... (I forget which if any of the sequels I read; I have no real memory of them.)
no subject
Date: 2016-11-20 10:42 pm (UTC)I perpetually forget what happens in WTKCH and have to reread it to remember. It's a strange book and it never sticks in my head, but I always find reading it to be a pleasant experience.
no subject
Date: 2016-11-18 07:35 pm (UTC)I highly recommend Stevermer's A College of Magics and Scholar of Magics. The first has an...interesting ending. Scholar has a raft of charming characters.
River Rats is also very good, but deuced hard to find.
I think I read Magician's Ward first of all these after having previously read some of Wrede's earlier fantasies. I found MW a near-perfect little romance that really hit my sweet spot at the time.
no subject
Date: 2016-11-19 03:42 am (UTC)no subject
Date: 2016-11-19 04:04 pm (UTC)no subject
Date: 2016-11-18 04:14 am (UTC)no subject
Date: 2016-11-18 11:20 pm (UTC)no subject
Date: 2016-11-19 04:14 pm (UTC)no subject
Date: 2016-11-18 05:17 am (UTC)no subject
Date: 2016-11-19 04:16 pm (UTC)no subject
Date: 2016-11-18 01:07 pm (UTC)I used to view Aunt Charlotte as strict and repressive and now see her as actively emotionally abusive, but I'm not sure the authors' views changed with mine.
Which is a lot of criticism for a reliable comfort read that brought me great comfort! BFF cousins!! Also I wish I had Kate's hairpins spell.
no subject
Date: 2016-11-19 04:23 pm (UTC)I never know quite what to make of Aunt Charlotte! I'm not sure the authors do, either. I did actually really like the bit in The Grand Tour when it turns out Aunt Charlotte sent Kate a beautiful and useful magical present that's exactly to her taste, and Kate assumes it came from Thomas' mother because she likes Thomas' mother, and the present ends up saving the day and then Aunt Charlotte gets huffy that she didn't receive a thank-you note, because I have an aunt who behaves exactly like this and she does send very useful presents and I never know how to feel about it.