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Feb. 5th, 2020 04:25 pmI've seen various people talking recently about Upright Women Wanted, Sarah Gailey's new book; meanwhile, because I am not particularly fast on the New Book Draw, I have just finished her Magic for Liars, which came out last year.
This book has a truly fantastic pitch: a magic school professor has turned up dead ... and a HARD-BOILED PI has been called in to solve the case! The genre collision is pretty delightful and the book's at its most enjoyable when it leans into the feel of Veronica Mars-with-magic, with our world-weary detective requisitioning the library of whispering texts in order to interview self-important magic school students. I especially enjoyed Dylan-who's-convinced-he's-the-Chosen-One and how extremely long-suffering everybody else is about it, as well as all the petty details of how terrible teens use their magic to continue being thoroughly recognizable terrible teens.
That said, the sharp-edged black-humor aspect of noir is actually less present in the narrative voice than I would have expected given the genre and premise, though Gailey is all in on that other noir tentpole, 'self-sabotaging protagonist.' Our Heroine Ivy, thoroughly mundane, has been estranged from her magical twin sister Tabitha -- a teacher at the school where the murder happened -- for at least a decade over issues related to a.) deep-rooted insecurity and b.) their mother's death from cancer that Ivy thinks magic should have fixed (an understandably common magic-world plot point, I believe it pops up in The Magicians as well). The book is mostly about Ivy grappling with this in variously unhealthy ways, as noir detectives tend to do, in between doggedly tracing dots and lines on her murder wall.
...that said, it's not as dark as I might have expected either! Ivy's first-person narration drops a lot of foreshadowing hints, which led me to expect a really spectacular explosion at the end, but honestly despite a certain degree of magic body horror (including a fairly graphic discussion of magic abortion) things could have been much worse.
This book has a truly fantastic pitch: a magic school professor has turned up dead ... and a HARD-BOILED PI has been called in to solve the case! The genre collision is pretty delightful and the book's at its most enjoyable when it leans into the feel of Veronica Mars-with-magic, with our world-weary detective requisitioning the library of whispering texts in order to interview self-important magic school students. I especially enjoyed Dylan-who's-convinced-he's-the-Chosen-One and how extremely long-suffering everybody else is about it, as well as all the petty details of how terrible teens use their magic to continue being thoroughly recognizable terrible teens.
That said, the sharp-edged black-humor aspect of noir is actually less present in the narrative voice than I would have expected given the genre and premise, though Gailey is all in on that other noir tentpole, 'self-sabotaging protagonist.' Our Heroine Ivy, thoroughly mundane, has been estranged from her magical twin sister Tabitha -- a teacher at the school where the murder happened -- for at least a decade over issues related to a.) deep-rooted insecurity and b.) their mother's death from cancer that Ivy thinks magic should have fixed (an understandably common magic-world plot point, I believe it pops up in The Magicians as well). The book is mostly about Ivy grappling with this in variously unhealthy ways, as noir detectives tend to do, in between doggedly tracing dots and lines on her murder wall.
...that said, it's not as dark as I might have expected either! Ivy's first-person narration drops a lot of foreshadowing hints, which led me to expect a really spectacular explosion at the end, but honestly despite a certain degree of magic body horror (including a fairly graphic discussion of magic abortion) things could have been much worse.
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Date: 2020-02-05 10:21 pm (UTC)ME TOO. I found it a fairly anxious read, actually, for exactly that reason, but I'm glad I stuck it out, because as you say, it wasn't nearly as dark as I kept expecting it to be.
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Date: 2020-02-08 05:22 pm (UTC)no subject
Date: 2020-02-05 10:42 pm (UTC)Is that good?
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Date: 2020-02-08 05:20 pm (UTC)no subject
Date: 2020-02-09 06:26 am (UTC)I'm fine with noir with optimistic (or even happy) endings, but I agree that foreshadowing that comes to nothing is not good foreshadowing.
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Date: 2020-02-06 01:11 am (UTC)no subject
Date: 2020-02-08 05:26 pm (UTC)no subject
Date: 2020-02-08 05:36 pm (UTC)I liked this interview with her a lot (no spoilers in it) https://www.npr.org/2019/10/06/767636941/leigh-bardugo-on-ninth-house
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Date: 2020-02-08 05:39 pm (UTC)no subject
Date: 2020-02-06 01:27 am (UTC)no subject
Date: 2020-02-08 05:28 pm (UTC)no subject
Date: 2020-02-06 02:42 pm (UTC)no subject
Date: 2020-02-08 05:31 pm (UTC)no subject
Date: 2020-02-07 05:37 pm (UTC)no subject
Date: 2020-02-08 05:31 pm (UTC)no subject
Date: 2020-02-15 03:16 pm (UTC)Probably my favourite part, to be honest, along with Ivy and Tabitha slowly mending their relationship a bit. Possibly, aside from Dylan, the "school nurse" was the one who stole the show whenever she appeared.
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Date: 2020-02-16 12:39 am (UTC)