skygiants: cute blue muppet worm from Labyrinth (just a worm)
I really enjoyed Darcie Little Badger's latest, A Snake Falls to Earth, although like [personal profile] sophia_sol in their review I found the pacing not ideal for me personally ...

Snake Falls to Earth is set in the near-future, with a deep interest in the impacts of climate change on indigenous peoples and environments, and follows two extremely different POVs in two extremely different settings:

In the first storyline, Oli, a sweet and nervous young snake person, gets kicked out by his mom (as part of normal snake coming-of-age) and goes on a quest to find a home and community of his own, encountering various life-threatening dangers along the way along with some ominous foreshadowing about the potential impact of events in the human world on the mythological/animal world where Oli lives. I liked this story a lot -- I enjoy community-building narratives, and I liked spending time in mythological/animal world and seeing the ways in which it resonated with and differed from the human world.

In the second storyline, Lipan Apache teen Nina attempts to translate old family stories and worries about her grandmother, who is suffering from a mysterious (magical?) condition that causes her to weaken if she leaves the family's plot of land in South Texas; concerning in the event of a hurricane, which is happening with increasing frequency. I had no problems with this story but I did keep finding myself wanting to skip forward to more Oli narrative, partly because it was more propulsive with higher stakes from the beginning where Nina's sections were much more introspective, and partly just because I dug Oli as a character and enjoyed hanging out with my anxious snake friend and his toad and coyote friends.

The storylines eventually converge when a hurricane that threatens Nina's physical family also manifests itself as a metaphysical threat in the other world to Oli's friend-family, at which point the title of the book becomes relevant. At this point I was not at all sure how the book would be able to tie up the various threads it had set up over the previous two-thirds in both storylines, but in fact it did so with remarkable rapidity! Perhaps ... too much rapidity? But I found the ending generally satisfying and enjoyed the ride as a whole, and, more broadly, thought it was one of the more interesting and pragmatic works of climate fiction I've read without being horribly depressing: changes are happening, they require adaptation and also inevitably will result in some enormous losses, but not all the losses are inevitable and they can be mitigated.
skygiants: Hazel, from the cover of Breadcrumbs, about to venture into the Snow Queen's forest (into the woods)
I've had occasion to rec Elatsoe twice this weekend for different reasons, once for someone asking for ace protagonists and a second time in a discussion of interesting loopholes in vampire lore .... "if a Native person uninvites a vampire from their traditional lands they HAVE TO GO" is the best play on the invite-only nature of vampires I've seen in years.

The worldbuilding in Elatsoe overall is extremely good and one of the standout elements of the book imo. It's set in a version of the U.S. that is Like Our Own but seamlessly assumes the public and mainstream existence of vampires, fairies, coyote people, etc. -- there's very little background scene-setting exposition and supernatural elements simply show up when they become relevant to the story, which allows the book to move without getting bogged down in its own mythology, but as with the vampires, everything that does appear gets integrated into the story in really neat and interesting ways. Also, by now I as many others probably have read many variants on 'immigrants bring their magic backstories to America byyyy which I mean I want to talk about fairies mostly' and it is extremely pleasant to read a version that's written by a Native author who is able to center Native stories and then pick and choose whatever else she wants to throw in for fun.

The plot itself focuses on Apache high schooler Ellie (short for Elatsoe, the name of her Six-Great Grandmother, from whom she inherited her ability to raise the dead) who finds herself tasked by her cousin's ghost with bringing his murderer to justice after he dies in a suspicious car accident.

Throughout the story, Ellie receives help from: her ghost dog; her best friend, Jay, who has extremely minor magic powers inherited from a fairy ancestor; her parents, who occasionally institute a temporary necromancy ban until Ellie can talk to a mentor but are overall extremely supportive; Jay's sister and her best friends from the basketball team; Jay's sister's boyfriend, a friendly college vampire bro; the ghosts of many, many trilobites; and, potentially, her Six-Great Grandmother.

Less helpful: the police, who are useless; Ellie's cousin's grieving widow, whose justifiable anger and sorrow are starting to impact her judgment a little when it comes to things like 'are raising revenge spirits a good idea'; and the picture-perfect town of Willowbee, which seems MUCH too green -- and too white -- for the region of Texas it inhabits.

I read this for my book group, and this ended up being the first book in months if not years that absolutely everybody liked. The content of the story is frequently pretty dark, but the writing and tone are warm and matter-of-fact rather than sinister; the plot moves quickly and the narrative treats all the characters like people worthy of concern and consideration. (Although Ellie herself is 17, the book feels to me like it's written more on the 12-13-ish-year-old edge of YA rather than the 17-18-year-old edge, but I don't think that's a bug.) I zoomed through the book in a day and would gladly read more.

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