skygiants: (swan)
As mentioned, I had a strong urge to reread some E. Nesbit thanks to Everfair, so I took The Enchanted Castle with me on vacation.

The Enchanted Castle is quite possibly the ur-Nesbit. It has everything:

- a group of squabbling but affectionate siblings
- a ring of invisibility! (or is it a wishing ring?) (or is it a TOKEN OF THE GODS THAT EXACTS A TERRIBLE PRICE FOR ITS USAGE?) (or is it just going to make you repeatedly and unfortunately late for tea?)
- SECRET TREASURE
- a background tragic long-lost romance
- people turning into statues! statues turning into living statues! (quite useful, as it turns out that "all statues that come to life are proficient in all athletic exercises")
- implausibly friendly Greek myths come to life; see also 'living statues' (Eros is "a really nice boy, as the girls instantly agreed" and Psyche is "a darling, as any one could see")
- A DINOSAUR; see once again 'living statues'
- an unsubtle critique of capitalism
- a fair bit of probably accidental period classism
- a brief unfortunate incident of blackface
- a collection of construct puppets that come horribly alive and demand, in the most Uncanny Valley fashion possible, to be shown to a really good hotel!

The bit with the puppets that come alive is probably the most memorable set piece of The Enchanted Castle, a book that contains a number of extremely memorable set pieces; they are simultaneously so disturbing and so hilariously banal, requiring Our Plucky Heroes to screw their courage to the sticking point and NOT ONLY cunningly walk them to the tunnel where they plan to imprison them, but ALSO at the same time answer polite questions about their schoolwork and whether they play sports. The worst of all possible things!

Really, nowhere does E. Nesbit show how much she knows her way around writing kids more than in The Enchanted Castle. The magical adventures are wonderful, and occasionally rise up into the numinous and almost haunting -- I'm fascinated by the dropped remark at the end that this book would have absolutely been an epic tragedy, were it not for the convenient fact that the people who found the magical ring were children and not yet adults -- but the parts that are just kids hanging out complaining at each other without any magic at all are just as compelling, and also hilarious.

More Nesbit rereads are almost certainly in my future, though I don't remember loving any of her books quite as much as The Enchanted Castle. (Edward Eager rereads, too, since every single thing he ever wrote is an ardent love letter to E. Nesbit, which is how I discovered her in the first place.)
skygiants: Princess Tutu, facing darkness with a green light in the distance (our mrs. tudor)
After reading The Magic City and remembering how much I love E. Nesbit, I had a sudden strong and irresistible urge to find out ALL ABOUT her, and promptly went to the library to pick up the first biography I could find, which happened to be Julia Briggs' A Woman of Passion: The Life of E. Nesbit 1858-1928 (the title of which I cannot help but hate, but this is neither here nor there.) The biography itself was pretty comprehensive, although the author had a definite tendency to overidentify Nesbit's works with her life - by which I mean, there were obvious and self-confessed places where she drew upon her life in her fiction, but I still think Briggs often took it a step too far. However, the book totally fulfilled my guilty cravings for hilarious dead-author gossip. It turns out that E. Nesbit's life was full of RIDICULOUS drama: adultery! pregnancy out of wedlock! accusations of incest! salty sea captains! I have learned from it some useful lessons of life, which I will now relate:

1. If you are dying of tuberculosis, DO NOT forget to tell your tragic blind poet boyfriend. He will be very distraught when he accidentally stumbles across your cold dead corpse.

2. If you are a Victorian lady, DO NOT allow yourself to get pregnant by anyone called Hubert Bland. For one thing, he probably has another fiancee living at his mother's; for another, when he finally marries you, seven months into the pregnancy, you will be stuck with the name of 'Mrs. Bland' forever (making it no surprise that you choose to use your maiden name Nesbit in your writings).

3. DO NOT stalk George Bernard Shaw after he decides your affair is over. He will just get satirical about it.

4. If your best friend becomes mysteriously pregnant after you have started inviting her to hang out with you and your husband, DO NOT invite her to live with you on a permanent basis and offer to adopt her baby. It will inevitably become very awkward when it turns out the baby is your husband's and create much psychological trauma for the whole family, especially the baby girl who grows up wondering why mummy didn't love her like the others.

5. DO NOT fall in love with one of your aunt's boytoys (of which E. Nesbit apparently had many). This is another situation that will inevitably become awkward, especially once you are married to him and must attend family reunions.

6. If you have been caught red-handed trying to seduce/elope with one of the Junior Blands, and the famous Mr. Bland Sr., your rival for control of your Socialist party, has proceeded to beat you up publicly on a major railway line, throwing a tantrum and claiming that you were just trying to rescue her because you thought Mr. Bland Sr. was a creep who had incestuous designs on her will probably not get you very far. EVEN IF you are H. G. Wells.

7. Salty sea captains make much better husbands than sex-addict socialists, and also will allow you to continue to look cool, Bohemian, sexy, and liberal-minded about class differences, even when you are well into your sixties.

8. DO NOT publish all your books before Disney starts making its push about copyright laws, because then Michael Moorcock can take your cheerful Edwardian boy-hero Oswald Bastable and write angsty novels about him D: D: D:.
skygiants: Princess Tutu, facing darkness with a green light in the distance (cowboy glee!)
The last two books I read were both full of CRACKTASTIC AWESOMENESS, albeit in very different ways.

The first, Joan Aiken's A Cluster of Separate Sparks, is a Gothic thriller of the insane and self-mocking variety, as a heroine with a Tragic Past bumbles her way into a Mysterious Greek Mansion/School/Ex-Templar Monastery full of kitchen oubliettes, giant retractable organs, killer bees, and enormous pottery ovens (all of which will of course come into murderous play sooner or later), all the while asking herself, throughout these tribulations, 'what would Esther from Bleak House do?' I have to say that this last is one of my favorite things about the novel, although I was also very fond of the Tremendously Polite and Helpful Terrorists, the Muddle Principle, and the throwaway reference to a drug that could turn an entire country into schizophrenics. It is the sort of book in which, when the heroine finds herself in yet another series of mysterious tunnels, she thinks to herself, "Am I going to find the Chief of Police knocked unconscious down here again, that seems a bit much!" As you might guess, I enjoyed it tremendously.

At the same time, I was reading E. Nesbit's The Magic City on Project Gutenberg, which was actually a Nesbit book I had never read before. Philip is the cranky boy hero whose beloved older sister, who has been his mother figure throughout his life, is finally getting married to a widower with a daughter. Philip promptly decides to despise both widower and daughter - a resolve that holds until he and the girl, Lucy, find themselves in a magic city that he built with blocks and books and other knickknacks, and, in making his escape, he accidentally leaves her behind. Then of course he has to go back and rescue her, and meanwhile perform the seven tasks that will prove he's the fabled Deliverer of the city instead of the Destroyer (they're the only roles open, you see, as the inhabitants of the city explain to him.) Lucy isn't passive either, though; she solves about half the tasks for him (including one about slaying some lions in the desert, which caused me tremendous cognitive dissonance) and is constantly characterized as bold, heroic and clever. Like all Nesbit books, fabulously insane situations pop up on every other page; I am particularly fond of the Jolly Child Islanders who import bored M.A.s from Oxford to do all their construction projects. I also really want someone to write a paper about the character of the Destroyer, also known as the Pretenderette to the Deliverership, who is characterized by her red hair and goes off into a long rant at the end about class issues, but I will try not to go off on that right now.

Basically, both of these books are the kind of reads where you turn a page and suddenly find yourself giggling at an incredibly insane event or coolly bizarre turn of phrase; I did not so much read them for deep analysis, but they were ridiculously fun.

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