skygiants: Grantaire from the film of Les Mis (you'll see)
After eight years or so, I have now read Orwell in Spain so that I could finally return it to [personal profile] gramarye1971 during my very brief stint in DC last week. I don't regret the long wait -- as always, Orwell is timely and never moreso than when he's talking about situations that are messy, complicated, unwinnable and un-abandonable.

Orwell in Spain includes the full text of Homage to Catalonia, Orwell's book about the Spanish Civil War, as well as various contextualizing letters and articles he wrote while there and on returning.

I first read Homage to Catalonia back in 2011, and, unlike most of the things I wrote in 2011, my review of it from that time still pretty much encapsulates the things I would say about it now. What sticks with me more, this time, is how Orwell talks about the ragtag Marxist-anarchist battalion he accidentally ends up in as the only time in his life that he's ever had the chance to see the ideal of absolute equality, abolition of hierarchy, collective action, in practice, and how it convinced him it could be put into practice, that it was a realizable dream and one worth fighting for -- about how he was miserable and hungry and cold all the time and achieved absolutely nothing and still.

But of course context is important. And though Orwell is very determined to try and be fair-minded, and to encourage his readers to treat him as biased and to come to their own conclusions, the most interesting thing about the contextualization provided in Orwell in Spain is how it shows how much he was driven by his concern for his friends who were in prison, and his goal of raising some kind of outcry among international Socialists for their release. He writes reviews and articles, many of which are not published because they do not accord with the party line of What We Should Feel About Spain; he argues endlessly and demands receipts from everyone who publishes an account of what happened during the street fighting in Barcelona that doesn't accord with his lived experience; he returns consistently and desperately to the topic of his superior officer, who is probably still in jail, Situation Unknown.

And then the superior officer gets out of jail, and the next bit of writing included in the compilation is from several years later. This may be fiat on the part of the editor of Orwell in Spain, but it very much serves to emphasize that the personal is political. It's not that I don't think Orwell cared about the truth generally, because I do think he did, but also it's got to feel much more important to scream when you know it's going to immediately and directly impact the people you care about.
skygiants: Grantaire from the film of Les Mis (you'll see)
Recently, in the process of trying to fit all of my books and [personal profile] genarti's into one place, I at last remembered that [personal profile] gramarye1971 had lent me two volumes of collected Orwell after I read Homage to Catalonia, which had been sitting on my shelf ever since.

Relatedly, last weekend, we had the very great pleasure of hosting [personal profile] gramarye1971 as our first houseguest since Gen moved in! The path before me had been prepared; I determined to finish at least one Orwell volume before she left, thus triumphantly diminishing the household stock of books by one.

Orwell and the Dispossessed contains the full text of Down and Out in Paris and London, as well as various essays, diaries, and correspondences that the editor deemed relevant to Orwell's Feelings About Class. Down and Out in Paris and London is the one where Orwell talks about being broke and starving and washing dishes sixteen hours a day in Paris, and the working conditions of the poor, also, incidentally, does a mini-Upton Sinclair expose on the backstage habits of fancy French hotels and restaurants, just because he's there and might as well; and then comes back to London and lives as a hobo for a while and also, incidentally, does a mini-expose on the poor arrangements of tramp hostels.

The thing that stuck with me the most is the amount of time Orwell spends on just how difficult it is to get enough sleep when you're living in conditions of extreme poverty. The way in which public spaces are inimical to the homeless does not seem to have changed significantly between 1933 and 2019, and the tramp hostels and shelters he encounters are unsafe, unclean, and overcrowded, as well as insulting to human dignity. And, of course, a consistent and terrible sleep debt poisons everything else; he's shocked, three quarters of the way through the book, to meet a pavement artist who does amateur astronomy, because he himself cannot muster any energy at all for intellectual pursuits while struggling just to find something to eat and a place to catch a few hours of sleep each night. (Though of course he did obviously take enough notes to go on to write the book, so, you know.)

That said - Down and Out is very good, and very worth reading, but the most entertaining part of the collection is a set of Orwell's literary essays that were determined to be Class Relevant Enough to fold into the volume. This includes, among other things:

Orwell on Kipling - a kindly patronizing assessment that Kipling, earnestly wrong-headed on the topic of Empire though he may be, was a good bad poet and should be appreciated accordingly

Orwell on Wodehouse - a kindly patronizing assessment that we should all stop ostracizing Wodehouse for that unfortunate incident with the Nazi broadcasts because there are much worse crimes than being an idiot who hasn't yet figured out that it's not 1905 anymore (apparently Orwell bought Wodehouse dinner sometime after this essay came out as a method of demonstrating his sincerity; what one wouldn't give to be a fly on the wall during that meal!)

Orwell on Boy's and Girl's Fiction - an honestly fascinating exploration of British assumptions and expectations about life as expressed through the bad writing in long-running children's magazines

Orwell on Donald McGill - an honestly fascinating exploration of British assumptions and expectations about life as expressed through the bad jokes on seaside postcards

Orwell on Detective Fiction - I don't agree with Orwell about Dorothy Sayers, but I think it's really funny how he seems to have decided that Dorothy Sayers Does Weird Things To Dead Bodies And He Doesn't Like It. (I have to assume he read "The Abominable History of the Man with the Copper Fingers", got very uncomfortable, and read no further.) I do agree with him that it's weird and a bit bloodthirsty how detective fiction used to be fine with relatively low-stakes plots about missing jewels and now it's got to be a body a week or everyone yawns and goes home.

Orwell on the Home Guard - this is not a literary essay but I really enjoy Orwell's patient explanation that "look I KNOW joining the Home Guard is uncool but if ALL the Socialists join the Home Guard we can MAKE it a Socialist army, did you think about that?"
skygiants: Princess Tutu, facing darkness with a green light in the distance (Default)
So once upon a time, George Orwell decided that he was going to go to Spain to fight the good fight! Take a stand against Fascism! Support the forces of the humble workers!

Then he got to Spain, ended up mostly by accident enrolled in the Marxist-worker's-party militia rather than the Russian-Communist-backed militia where most of the other British intellectuals were signed up, and realized that things were quite a bit more complicated than that.

- but first there were the months of extreme cold and boredom, on frozen watch in a tiny mountain station, guarding against an equally tiny and enormously faraway station on the opposite side of the mountain. (It's kind of bizarre reading this part, because one moment Orwell will be relating a funny story about how the guy with the bugle would be convincing soldiers on the other side to desert by just reciting loudly a litany of all the really good (imaginary) food they had on their side of the divide, and talking about how ridiculous the whole thing really is and feeling quite sorry for the Fascist soldiers, and then the next moment he'll be complaining how he just wants to at least kill one Fascist in the whole war, seriously, just one, how hard is that? And there's no contradiction in these attitudes for him, apparently. When he kills his first enemy there's no conflicted feelings, it's just like "YES! Got one! FINALLY!")

So Orwell is fighting, and it's really not very glamorous, and in many ways miserable, and most of the command decisions just seem incredibly stupid, but, you know, he is building a kind of cameraderie with his fellow soldiers, he's still fighting the good fight . . . and then he gets back to Barcelona on leave to meet up with his wife and transfer to the other political party brigade. And suddenly it becomes clear that the whole time he's been on the front fighting with the brigade that he just happened to wind up in, there's been vicious political infighting going on back in the city - that the anti-Fascist socialist parties that he couldn't even keep particularly straight at the beginning of the war really don't like each other, and one - the one he doesn't belong to - is getting ready to heavily squash the other. At which point there is a riot, and three days of highly surreal street warfare followed by a heavy propaganda campaign against the Marxist worker's party. Orwell quietly withdraws his request to transfer to the now-ascendant party and goes back to the Marxist worker's brigade he's been fighting with all this time.

And then Orwell goes off to fight again, and comes home wounded and half-deaf to find that of his friends who have been fighting alongside him, several of them have been locked up on suspicion - some never to emerge again - and he walks into a hotel one day and his wife is making frantic "DON'T COME IN HERE" signals over the heads of some soldiers. (Orwell's wife is not mentioned very much, which seems a drastic oversight by Orwell, considering that she was hanging out for months in the middle of revolutionary Spain and every time she does appear she is being coolheaded and brave and competent.) And then they make a daring escape, and wander around shellshocked for a while, and then Orwell sits down to write a book about it, Homage to Catalonia, explaining that - while his experiences are personal, and may not be reflective - the situation in Spain is significantly more complicated than everyone thought.

And then of course nobody buys the book, because by then the propaganda campaign that the winning political party has brought to bear has been hugely successful and nobody wants to hear ill of them. But it's very much worth reading now.

(What gets me is the part where he apologizes for being angry. Because he knows the situation is complicated, he really does, and that it's a waste of time to be angry when you could be doing more productive things, but they took a friend of his who had given up a promising career to come fight on behalf of Spain and the people that he'd been fighting for threw him in jail, never to come out alive, and that sort of thing, says Orwell, does try one's patience.)

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