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Jul. 5th, 2017 07:24 pmI know I have talked before about how much I want a version of Guys and Dolls featuring lesbian Sky Masterson. However, at those previous times, I had not recently seen Guys and Dolls. The other night I rectified this; I made
genarti watch the 1955 film of Guys and Dolls with me because she had never seen it.
Throughout the course of the film, it became so increasingly obvious to us, textually, that Sky Masterson was already written as a lesbian that we kept forgetting that Marlon Brando was not in fact (to the best of my knowledge) a woman. Some unconvincing pronoun alternations had perhaps been made to the script to try to pretend that Sarah/Sky is a heterosexual romance, but the truth was obvious to anyone with a discerning eye.
We have already covered "Luck Be A Lady," but, at the risk of being repetitive, here, in order of appearance, is a detailed list of all the other most lesbian moments of Guys and Dolls:
- the part where Sarah talks about how she's from Boston, which honestly should have been a first clue for all of us
- the entire song I'll Know when Sky, smirking, demands that Sarah describe the SUPER HETEROSEXUAL MAN that she fantasizes about marrying one day, and Sarah literally cannot come up with one concrete thing other than, uh, he'll smoke a pipe! like men do!
- and Sky is like "ah yes, you'll know him at once because he's wearing pants"
- the part when Sky literally pops out of a closet to provide Sarah with the Havana proposition
- the entire scene in which Sarah U-haul lesbians herself into the notion that the only way to help with all Sky's sinning is to provide Sky with constant twenty-four hour accompaniment for all that sinning
- "ask me how do I feel, little me with my quiet upbringing / well, all I can say is if I were a gate I'd be swinging"
- the part where Sky wanders into Adelaide's dressing room and Adelaide coyly remarks that she doesn't know what etiquette she ought to be using or whether it should be considered inappropriate
- the part in "Your Eyes Are The Eyes Of A Woman In Love" where Sarah in the film sings back at Sky "your eyes are the eyes of a man who's in love" with deeply awkward, forced scansion and it's clearly meant to be the two of them echoing "your eyes are the eyes of a woman in love" back at each other, the song just works infinitely better that way! come on!! THIS IS A LESBIAN MUSICAL
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Throughout the course of the film, it became so increasingly obvious to us, textually, that Sky Masterson was already written as a lesbian that we kept forgetting that Marlon Brando was not in fact (to the best of my knowledge) a woman. Some unconvincing pronoun alternations had perhaps been made to the script to try to pretend that Sarah/Sky is a heterosexual romance, but the truth was obvious to anyone with a discerning eye.
We have already covered "Luck Be A Lady," but, at the risk of being repetitive, here, in order of appearance, is a detailed list of all the other most lesbian moments of Guys and Dolls:
- the part where Sarah talks about how she's from Boston, which honestly should have been a first clue for all of us
- the entire song I'll Know when Sky, smirking, demands that Sarah describe the SUPER HETEROSEXUAL MAN that she fantasizes about marrying one day, and Sarah literally cannot come up with one concrete thing other than, uh, he'll smoke a pipe! like men do!
- and Sky is like "ah yes, you'll know him at once because he's wearing pants"
- the part when Sky literally pops out of a closet to provide Sarah with the Havana proposition
- the entire scene in which Sarah U-haul lesbians herself into the notion that the only way to help with all Sky's sinning is to provide Sky with constant twenty-four hour accompaniment for all that sinning
- "ask me how do I feel, little me with my quiet upbringing / well, all I can say is if I were a gate I'd be swinging"
- the part where Sky wanders into Adelaide's dressing room and Adelaide coyly remarks that she doesn't know what etiquette she ought to be using or whether it should be considered inappropriate
- the part in "Your Eyes Are The Eyes Of A Woman In Love" where Sarah in the film sings back at Sky "your eyes are the eyes of a man who's in love" with deeply awkward, forced scansion and it's clearly meant to be the two of them echoing "your eyes are the eyes of a woman in love" back at each other, the song just works infinitely better that way! come on!! THIS IS A LESBIAN MUSICAL