skygiants: Sokka from Avatar: the Last Airbender points fingerguns (sokka says stay cool)
December 4th! [personal profile] the_rck asked me about one book I think everyone should read, which is a question I'm having a lot of trouble answering. People are so different! There are very, very books I would actually recommend universally. And even the books that I think almost everyone would like doesn't mean I think everyone should read them. VALUE JUDGMENTS ARE DIFFICULT. Like, I do think Howl's Moving Castle, for ex., is almost universally charming to some degree but I don't need it to be imposed on a high school curriculum!

...that's a good way to think about this, though, I guess. What books would I put on a curriculum, if I were designing one? Here's a few uncategorized options:

The Steerswoman, Rosemary Kirstein, because as well as being a good book it's a really useful way of understanding the scientific method

The History of White People, Nell Irvin Painter, because hey, let's start thinking about whiteness as a socially constructed race like everything else and not as a default template, thanks

The Stories of Ibis, Hiroshi Yamamoto, because yes, let's talk about sociology and humanity and relationships in the digital age, hypothetical high school classroom, let's do it!

Black Maria, Diana Wynne Jones (or Aunt Maria, depending on your edition), because OF COURSE I'm putting a Diana Wynne Jones book in my hypothetical classroom curriculum. "But why Black Maria, you don't even agree with most of Black Maria, it's full of bizarre gendered weirdness!" you may say, to which I say, "YES, ABSOLUTELY, LET'S ALL READ IT AND PICK IT APART AND TALK ABOUT IT." :D?

...uh, I don't think this really answered the question that was asked at all. Apologies!
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
Pretty much everything I could possibly say about The Language of Power is spoilery, except for the general sense of agony at having to settle in for the long, long wait because there is NO MORE yet. AHHHHH.

So here's my spoilery initial reaction, largely as cut-and-pasted from a comment I left [personal profile] nextian.

Spoilers are probably not focusing on the most important things in the book! )

Spoilery speculation/commiseration party in the comments? GO GO GO.
skygiants: young Kiha from Legend of the First King's Four Gods in the library with a lit candle (flame of knowledge)
In the month or two since I last read the Steerswoman books, I had almost forgotten how good they were. I mean, I knew! But then I started reading The Lost Steersman and I knew all over again.

So The Lost Steersman begins with a story arc I both enjoy and identify with: Rowan has to settle into a town for a while to put the archives in order (the archives being in order is explicitly a key component for saving the world! *___*) which also requires socializing with the locals. Small talk, for Rowan, is like pulling teeth. The locals think she is weird and unfriendly -- and I love when one of the villagers calls her out on the fact that she pretty much thinks they're boring and not worth her time, and they can tell. It's a completely different kind of culture clash than the one in the previous book -- one I don't usually see tackled -- and as with all culture clashes in these books, it's handled very well, and also inspires in me a passionate identification with Rowan while at the same time recognizing the places she messes up. I would rather be alphabetizing than networking any day! I FEEL YOU, ROWAN.

So this is going on, and there's an old friend of Rowan's hanging around and acting weird, and some mysterious demon creatures keep attacking the town . . .

. . . and then everything goes off the rails in a spoilery fashion )
skygiants: Azula from Avatar: the Last Airbender with her hands on Mai and Ty Lee's shoulders (team hardcore)
So far, Rosemary Kirstein's Steerswoman books are some of the most amazingly refreshing fantasy/sci-fi novels I've ever read.

Steerswomen, in this book, are basically an Order of Traveling Research Fellows based in what looks like a vaguely medieval-ish society. They bop around, poking at things that interest them and until they've found out as much as they can before going back to home base to record their discoveries; they formulate hypotheses, and ask questions, and they answer them for themselves and for other people. If anybody else refuses to answer a Steerswoman's question, they don't get any more questions answered themselves.

There are also wizards. Steerswomen don't really like wizards, because wizards are notoriously secretive and keep all their methods very hush-hush, and Steerswomen are all "down with hegemony of knowledge! Everyone should have the chance to know all the things!" The feeling is presumably mutual.

Our heroine Rowan's particular research project is some weird blue stones. In the first book, The Steerswoman, she picks up a warrior woman named Bel who comes from a different culture and who happens to have a belt made out of those blue stones. Bel decides that if she's going to be wandering around Rowan's country she might as well do it with Rowan, and they have some clashes of cultural values and work through it because they like each other well enough to be willing to keep an open mind about stuff, and in general start to become awesome lady friends. Also it turns out wizards are trying to kill Rowan because her research is dangerous to them, so that's where the plot comes in. But mostly: realistic research methodology! Respectful cultural negotiation! Thoughtful worldbuilding! Ladyfriends!

And this was great in and of itself, but then I got to the second book, The Outskirter's Secret, which is TWICE AS GOOD. This is the one where in order to pursue her research about the weird blue stones, Rowan has to go with Bel back to her nomadic grasslands culture -- which is not in any way a monolith, which I love, especially when Bel gets really judgy about people who Don't Do Things The Way Bel Does Things -- and spends a lot of time earnestly asking people questions and experiencing culture shock and attempting to come up with theories about the grasslands ecosystem, and Bel meanwhile has been putting pieces together based on Rowan's research and has come up with a plan of her own, and then the stakes suddenly get a lot higher and the book decides to stab you in the heart a few times, because if you came for the research and the ladyfriendship you might as well stay for the impossible moral choices and impending doom I guess.

There are two more books in the series I think, and I'm incredibly excited to read them. It's just -- man, I wish I got to read books all the time where the central focus was a.) the friendship between two women and b.) people acting with intelligent, thoughtful respect towards each other, and their responsibilities, and the world around them. EVERYONE IN THESE BOOKS BEHAVES LIKE ADULTS. Why is this so rare?

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