(no subject)
Feb. 5th, 2023 09:59 pmI would say that January was accidentally a month of cyberpunk dystopias in reading for me, but Sumit Basu's note at the end of The City Inside indicates that in fact he does not consider this a cyberpunk dystopia but in fact a relatively optimistic presentation of the future as compared to what he actually expects to happen over the next thirty years and who am I to argue with him!
So instead I will just say that The City Inside has many points of thematic interest in common with the last cyberpunk dystopia I read, including calcifying class divides as a powerful corporate elite protects itself from the effects of a dying planet, the impossibility and abandonment of privacy in the fade of advancing surveillance technology, and the all-immersive internet as the opiate of the masses, all filtered through a level of aesthetic surreality ... however, I would say The City Inside is funnier.
The titular city is near-future Delhi; the protagonists are Joey, who works as a digital producer on her ex-boyfriend's reality livestream show by day while attempting to protect her ex-activist parents from their own disillusionment by night, and Rudra, the well-meaning but hapless estranged son of an evil corporate overlord who accepts a pity job offer from Joey as a last-ditch attempt at avoiding being shuffled back into his family's evil corporate activities. The plot covers approximately three weeks of increasingly weird backstage activity on the show (they are attempting to cast a new love interest, with the help of a high-tech sponsor; corporate sabotage, among other things, interferes) that eventually results in both Joey and Rudra facing down their current trajectories and coming to new and fairly dramatic decisions about what roles they want to play in the future.
"Increasingly weird behind-the-scenes activity" is broadly speaking one of my favorite genres and both appreciated the themes and enjoyed the ride on this one very much, although I don't feel like I fully understand the endpoint of Joey's arc or the difference between the decisions she is offered and the decisions she does make and I don't know whether this is a problem with me or the book. This might end up being one that I have to read twice to see if the narrative arc falls more into place for me on a second read, although not right away as I feel like I might need a little break from deep thematic dives on digital surveillance for a bit ... anyway, my favorite part is when
( spoilers I guess )
So instead I will just say that The City Inside has many points of thematic interest in common with the last cyberpunk dystopia I read, including calcifying class divides as a powerful corporate elite protects itself from the effects of a dying planet, the impossibility and abandonment of privacy in the fade of advancing surveillance technology, and the all-immersive internet as the opiate of the masses, all filtered through a level of aesthetic surreality ... however, I would say The City Inside is funnier.
The titular city is near-future Delhi; the protagonists are Joey, who works as a digital producer on her ex-boyfriend's reality livestream show by day while attempting to protect her ex-activist parents from their own disillusionment by night, and Rudra, the well-meaning but hapless estranged son of an evil corporate overlord who accepts a pity job offer from Joey as a last-ditch attempt at avoiding being shuffled back into his family's evil corporate activities. The plot covers approximately three weeks of increasingly weird backstage activity on the show (they are attempting to cast a new love interest, with the help of a high-tech sponsor; corporate sabotage, among other things, interferes) that eventually results in both Joey and Rudra facing down their current trajectories and coming to new and fairly dramatic decisions about what roles they want to play in the future.
"Increasingly weird behind-the-scenes activity" is broadly speaking one of my favorite genres and both appreciated the themes and enjoyed the ride on this one very much, although I don't feel like I fully understand the endpoint of Joey's arc or the difference between the decisions she is offered and the decisions she does make and I don't know whether this is a problem with me or the book. This might end up being one that I have to read twice to see if the narrative arc falls more into place for me on a second read, although not right away as I feel like I might need a little break from deep thematic dives on digital surveillance for a bit ... anyway, my favorite part is when