skygiants: Jupiter from Jupiter Ascending, floating over the crowd in her space prom gown (space princess)
I would say that January was accidentally a month of cyberpunk dystopias in reading for me, but Sumit Basu's note at the end of The City Inside indicates that in fact he does not consider this a cyberpunk dystopia but in fact a relatively optimistic presentation of the future as compared to what he actually expects to happen over the next thirty years and who am I to argue with him!

So instead I will just say that The City Inside has many points of thematic interest in common with the last cyberpunk dystopia I read, including calcifying class divides as a powerful corporate elite protects itself from the effects of a dying planet, the impossibility and abandonment of privacy in the fade of advancing surveillance technology, and the all-immersive internet as the opiate of the masses, all filtered through a level of aesthetic surreality ... however, I would say The City Inside is funnier.

The titular city is near-future Delhi; the protagonists are Joey, who works as a digital producer on her ex-boyfriend's reality livestream show by day while attempting to protect her ex-activist parents from their own disillusionment by night, and Rudra, the well-meaning but hapless estranged son of an evil corporate overlord who accepts a pity job offer from Joey as a last-ditch attempt at avoiding being shuffled back into his family's evil corporate activities. The plot covers approximately three weeks of increasingly weird backstage activity on the show (they are attempting to cast a new love interest, with the help of a high-tech sponsor; corporate sabotage, among other things, interferes) that eventually results in both Joey and Rudra facing down their current trajectories and coming to new and fairly dramatic decisions about what roles they want to play in the future.

"Increasingly weird behind-the-scenes activity" is broadly speaking one of my favorite genres and both appreciated the themes and enjoyed the ride on this one very much, although I don't feel like I fully understand the endpoint of Joey's arc or the difference between the decisions she is offered and the decisions she does make and I don't know whether this is a problem with me or the book. This might end up being one that I have to read twice to see if the narrative arc falls more into place for me on a second read, although not right away as I feel like I might need a little break from deep thematic dives on digital surveillance for a bit ... anyway, my favorite part is when Expandspoilers I guess )
skygiants: Batman!Abed from Community (i don't sleep)
Samit Basu's Turbulence and Resistance are pretty much giant, affectionate meta-superhero fanfics, which could be a bug but for most people, including Basu, is probably more of a feature.

In Turbulence, a bunch of passengers on a transcontinental flight to Delhi develop superpowers. There is no scientific basis for this as far as anyone can tell. The superpowers are based on the personalities-slash-secret desires of the people involved -- so, like, pretty straightforwardly, the upright fighter pilot becomes a flying superman and the housewife who's disappointed by her life choices finds that she can constantly replicate herself so she can have ALL the choices; less obviously, the wildlife conservationist becomes an angry were-tiger, and a teenager finds that his decisions about what to eat control the weather, FOR REASONS UNCLEAR. Bob's motivations never really get all that deeply explored.

Some people are immediately ready to launch into media-friendly patterns of behavior; genre-savvy Aman, who has internet-manipulation superpowers, is like, "WE HAVE A RESPONSIBILITY TO IMPROVE THE WORLD!" ("but you never wanted to improve the world or go into nonprofit work or anything before having superpowers!" "...well it's DIFFERENT NOW!") while Invincible Military Guy (distinct from Fighter Pilot Superman) immediately goes full Magneto and out the other side ("humans are irrelevant now, so I don't want to rule the world, I really just kind of want to conquer it"). On the other end of the spectrum you have Uzma the magically charismatic aspiring actress, who really, really just wants to make it in Bollywood and couldn't care less about superhero hijinks.

Anyway, despite everyone's best efforts to avoid it, everything ends with an enormous knock-down drag-out landmark-destroying superhero fight; the book is not so much trying to avoid cliches as pointing them out, having people complain about them, and then gleefully embracing them anyway. Using blunt and often deeply unethical superpowered instruments to change the world is probably a really bad idea, but, I mean, eh, we have these superpowers so why not, right? WHY NOT.

According to Basu, if Turbulence is the Superman book, Resistance is the Batman book; it picks up eleven years later, when lots more people have increasingly ridiculous superpowers and knock-down drag-out landmark-destroying superhero fights have become wildly commonplace. Some of the people from Resistance are now famous superheroic figures with TV shows about them, some of them have gone off the grid, and some of them have retreated to secret supervillain islands and are relishing every second of it.

Meanwhile, one brave non-superpowered Japanese playboy with a grudge against superheroes is leading a double life, developing superpowered robot armor, and has a scheme to wildly alter the world as we know it! 

(Meanwhile meanwhile, some dude with monster-making superpowers known as the Kaiju King is hanging out somewhere near Tokyo and sending a new giant monster to attack the city every month or so. This is all he wants in life. You do you, man. You do you.)

I admire a lot of things about Resistance -- mostly how it just kind of embraces the premise of "superpowers will change the world in WILD, OFTEN TERRIBLE ways!" and just GOES for it 110% -- and other things frustrate me, like the fact that a lot of the plot hinges on the fact that the protagonist refuses to tell anyone his plans even when there is really no point in keeping them secret. Also, even in text form, that level of property damage is hard to read about! Also also, in both Turbulence and Resistance, I am offended on behalf of some of the really incredibly underdeveloped characters. I'm sorry, Anima! In a better world, you could have been three-dimensional!

All the same, overall the books were highly enjoyable. I give them:
+ 10 points for the part when the superpowered mad scientist and the teenage weather controller get into a huge argument about whether comic-book superheroes represent the best aspirations of human ambition or the banalities of US capitalism, and then it turns out that neither of them have read any of them
+ 5 points for "Brucing," a hipster phenomenon in which angry young rich kids go train in martial arts in Tibet in an attempt to retain relevance in a superhero world
+ 20 points for the part when Internet Superpowers Guy, in his efforts to change the world for the better, sets all donation links for conservative parties around the world to redirect to rickroll
+ 30 points for Infinitely Replicable Tia, who is terrifying, and dies like 400 times a book, and nonetheless loves her life so much
+ 50 points for the boring romance that suddenly takes an amazing left turn into SUPERPOWERED NEMESES IN LOVE, aka everything I always want in life

On the other hand, I also give them:
- MINUS A BILLION points for the surprise human centipede reference. THERE WAS NO WARNING SIGNAL. I DIDN'T ASK FOR THIS.

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