skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
Let me start out by saying that I had a great time reading Sarah Rees Brennan's Long Live Evil. I thoroughly enjoyed it. It was a wonderful distraction in a difficult week. I will read the sequel.

I am now going to attempt to describe the experience and I want it to be understood that I mean this in the most value-neutral, non-pejerative way possible: I read a lot of recent books that have a definite eau d'AO3 about them, and it was honestly quite refreshing and nostalgic to pick up a book that instead feels like reading a longfic on LJ circa 2005.

I do not mean the plot ... well, I sort of mean the plot. In 2005 we did not yet have the thriving genre of Villainess Isekai -- that didn't really kick off until mid-20-teens -- and Long Live Evil is emphatically a villainess isekai. However, 2005 was the immediate post-Buffy era, and what we did have in spades is Quippy High School Girl Enters High Drama Fantastical Situation, dropping memes and one-liners like there's no tomorrow, to the befuddled admiration of everyone around her. Another genre is possible! We don't have to take ourselves so seriously! At least not until it's time for a big angsty scene -- and it will eventually be time for a big angsty scene, have no fear, we can have our cake and eat it too. But first, there will be a musical episode.

Long Live Evil is what happens when you take the villainess isekai plot and absolutely marinate it in this particular 2005-era sensibility. Our Heroine is dying of cancer when she gets transmigrated into a minor villainess in her favorite epic fantasy series; unfortunately because she read the books while she was dying of cancer, she has forgotten much of the plot of the first book, which does not prevent her from saving herself from imminent execution by claiming to be a prophetess with visions of the future. She then spends the next several hundred pages sailing around and encouraging the other minor villains in her orbit to be fun and campy. There are over-the-top outfits! There is a musical episode! Everybody gets to romance their favorite character, and ALL these romances have a healthy dose of angst and betrayal and situations where one of the characters has to menace the other with a sharp knife! spoilers but also as soon as you meet any of these characters it is not a surprise how things will play out )

There are also possibly more memes by volume than in the Locked Tomb series and I do not say that lightly. The one that really broke me is when one of the in-book characters is looking at his love interest and thinks the mouth worried you until you knew him and then it worried you more. This is not even a meme unless you are on a very particular subset of tumblr. It is a quote from Ernest Hemingway's The Moveable Feast regarding F. Scott Fitzgerald. But I know in my heart that it's in this book because it circulates on tumblr, and I also know in my heart that maybe 5% of the book's actual readership would recognize it as either a meme or a quote, and there isn't even the excuse that the character in question might be actively quoting tumblr because he is not a transmigrator, so what, pray tell, is it doing here?? And I have no answer, except that this is the kind of thing that people did in 2005, on livejournal, which is to collect little in-jokes and throw them magpie-like into their fanfics as Easter eggs or something.

But, also, setting all this aside, Long Live Evil is genuinely doing everything that I want out of the genre of isekai! I get bored with portal fantasy where the characters' backgrounds do not matter to the action; our heroine's personal history is central to the plot in every direction. I enjoy when we get a little meta about isekai ethics and how we feel about fiction vs reality; so does Long Live Evil! The tension between two central transmigrators about whether the experience that they're experiencing should be judged according to the ethics of reality or the ethics of fiction is my favorite element of the book. I like when background characters matter and are significant and have the ability to throw the plot in new and unexpected directions, and so does Long Live Evil! And I also like the experience of coming across a completely absurd but inexplicably compelling fic at midnight and staying up too late to read it, and this Long Live Evil absolutely provides.

I do not like tripping over a tumblr meme every five pages and going 'again?! we are in the POV of an in-universe character now! this man has never been on tumblr and never will be!' It does break my peaceful 'it's fine, this is spiritually from 2005' suspension of judgment, because even though did not have tumblr in 2005. But you can't win them all.
skygiants: C-ko the shadow girl from Revolutionary Girl Utena in prince drag (someday my prince will come)
I really enjoyed Unspoken when it came out, so I waited until the trilogy was finished in order to zoom through a reread/first read of Untold and Unmade.

To recap, the premise: Sorry-in-the-Vale is a peaceful English town with a DARK SECRET! The Lynburns are the deeply dysfunctional local gentry who've just popped back in after twenty years abroad, possibly with SINISTER MAGIC POWERS, MURDEROUS IMPULSES and DESIRES TO RULE! Kami is the plucky teenaged journalist who is determined to EXPOSE ALL, mildly hampered by an inconvenient psychic soulbond to the youngest and most dysfunctional Lynburn! It's Sarah Rees Brennan, so everything is very quippy interspersed with periods of extremely intense emotion!

You probably know already if this is the sort of thing you like. In addition to a devotion to quips and a high level of joy in lampshading EXTREME GOTHIC TROPES, here are some other things that I like about the series:

- Kami has parents and a family, and increasingly they are involved and do things! (Kami's dad is wonderful and I have a deep emotional attachment to him. I do feel sort of bad for Kami's mom because while I appreciate her storyline I think she is literally the only person in the books who never gets to make a single clever quip. Sorry, Kami's mom!)
- families in general! lots of people having emotional arcs to do with weird complicated families that are nonetheless there for each other in important ways, mostly
- Kami's angry friend Angela whose anger is wonderful to me
- Kami's less angry friend Holly whose emotional self-confidence arc is wonderful to me
- and Kami herself, who is a nonstop bundle of terrifying energy and whom I love!
- generally a sense that the story takes place in a community where people know each other, and various people are affected by the EVIL GOINGS-ON! in different ways, and all of those people are important, not just the protagonists
- the B-plot romance is lesbians!

There is also a lot of complex love polygon soulbond-festooned relationship drama, which teetered frequently on the verge of being too much for me but usually managed to pull back into something non-annoying just in time. Slightly spoilery thoughts on this )

Also a lot of people die! I will admit I was not expecting quite so many people to die and was effectively sad about their deaths. Depending on who you are, this may be a bug or a feature. More spoilers )
skygiants: Princess Tutu, facing darkness with a green light in the distance (the saddest vampire)
I sort of don't have all that much to say about Team Human, not because I didn't like it -- I did! -- but because it basically does what it says on the label, or at least on the subtext to the label.

For those unfamiliar, the label says: friends don't let friends date vampires!

The subtext to the label (which is a lot more wordy in translation) says: this is a response to Twilight and other recent vampire-ish teen romance, and we would like to talk about the importance of friendship, and teenaged girls making their own decisions about their own lives, and also, yes, the fact that the vampires-in-love-with-high-schoolers trope is kind of ridiculous, bless their little gothic hearts.


As someone who has often read novels with romances in that made me think "NO NO HONEY LET ME RUN AN INTERVENTION FOR YOU," I approve of all this! I enjoyed the book, I enjoyed the way it poked fun at the tropes without being mean about it. I don't have a ton more to say about it; you know, it came, and it did its thing, and I nodded along, and then it left, and that was pretty much that.


(Although I do feel the need to point out that Merc did it first, all the way back in -- gosh, was it really 2009? -- in her unfinished masterpiece Vamptervention. Although hers went in a very different direction. TAKE IT LIKE A MANPIRE!)
skygiants: Audrey Hepburn peering around a corner disguised in giant sunglasses, from Charade (sneaky like hepburnninja)
I knew going in that Sarah Rees Brennan's Unspoken was probably going to be exceptionally relevant to my interests, seeing as it is:

- a Gothic
- starring a plucky girl reporter
- and her important relationships with her ladyfriends

SOLD! said I, announced my intention to buy it the first week it was out, and then instead spent about a month and a half trying to convince the local YA bookstore to special order my copy, so, you know, the best-laid plans etc.

But anyway I finally conquered the special order process and then proceeded to devour the book in a day. The protagonist of the book is Kami, a big personality in a small English town; she's a powerhouse of an investigative reporter, with one tiny quirk in that she has spent a large portion of her life having an intense personal connection on the astral plane with a boy she's never met.

Naturally, fairly soon after the book begins, aforementioned boy shows up, and here is what I loved: IT'S REALLY AWKWARD. He's huge and kind of creepy! She's tiny and has a mean death glare! The physical presence of a previously-disembodied voice really weirds them out! He is lonely and super into maintaining their codependency, and Kami is really not sure she's comfortable with that and would like to set some boundaries, please and thank you!

About three chapters into the book, they have the conversation that goes like this:

ASTRAL PLANE DUDE: Kami, now we have met, we should clearly DATE and be TOGETHER FOREVER.
KAMI: . . . yes, of course. Let me unbutton my blouse and you can proceed to take me now!
ASTRAL PLANE DUDE: AUGH YOU HAVE A BODY AUGH PUT YOUR CLOTHES ON!
KAMI: And that is why we should not date.

It's a really beautiful deconstruction of the destined soulmates trope, and I love it to pieces.

In addition to all of this, there is a lot of page space devoted to Kami's relationships with her female friends -- her BFF Angela, the deceptively lazy, and new friend Holly, who is a lot lonelier than she seems. I loved them both; I loved that their relationships with Kami were important, and that their relationships with each other were super important too. Kami's family: also important! Also Angela's family; also, in general the sense of a town full of people who know each other very well, but who all also have their own lives and motivations. What I mean is that this is not a world which revolves around the protagonists, and that's what makes it feel real.

And then, you know, there is the plot, and a sinister aristocratic family in a sinister house, and dark secrets, and attempted murder, and possible human sacrifice, all of which is awesomely Gothic and compelling in addition to the characters! But I say 'in addition' because basically the characters are what I'm here for and will continue to be here for throughout the rest of the trilogy.
skygiants: Princess Tutu, facing darkness with a green light in the distance (a la folie pas du tout)
I am kind of just laughing about the Amazon reviews of The Demon's Surrender that complaining about not getting a Ryves brother POV, because man, I was ALL ABOUT Sin's POV in the final book. Sin is awesome! Also I think it's cool that Sin has very justifiably different concerns from all of the previous narrators, and trusts completely different people, so whatever, Amazon reviewers.

It's always hard to write about the third book in a trilogy without spoilers (especially when you read it almost two months ago, I AM SO BEHIND on booklogging), so just to recap: the series takes place in a world where evil magicians control demons who can possess people, and follows a pair of brothers with a DARK SECRET that is spoilery for the first book, a brother-sister pair with a few other secrets and goals that are spoilery for the second book, and an ambitious dancer at the magical market, who is Sin and the POV character for the third book and continues to do many things that are spoilery. They are excellent on dark worldbuilding, interesting character motivation, and family-centric storytelling, and although I am not a fan of all the narrative/plot choices they overall make for extremely enjoyable reads.

And now I can go into the personal-reaction spoilers! )
skygiants: Katara from Avatar: the Last Airbender; text 'just kicked butt' (katara kicks butt)
So you guys may remember I did not 100% love The Demon's Lexicon. But I had a strong suspicion I might like The Demon's Covenant more, and it turns out I was right - and I did not even realize to what degree. I really kind of loved The Demon's Covenant! To the extent that I found it very difficult to put down.

This is kind of a sign of the difference that strong narrative voice makes to me, I think. Both of these books are written in very close third person. The first book follows Nick, who is extremely emotionally distant (to put it mildly) and cares about one person in the whole world, who he does not really have any kind of perspective on and who is keeping important secrets from him. So while I enjoyed the experience of reading it, and I think it was a cool risk to take, I found it kind of hard to grow attached to anyone; I felt like I couldn't really get to know them. The second book, on the other hand, follows Mae, who first of all is an awesome, strong-minded, confident and believable teenaged girl with no special powers but a lot of drive regardless - which is awesome, and made me happy - but second of all has a much more relatable and balanced perspective on all the other characters. As a result, by end of The Demon's Covenant, I love everyone (including Nick) about ten times as much as I did at the end of The Demon's Lexicon. I mean, in the way where Alan is on notice and I still do not want to actually be in the same room as Nick ever and I kind of want to kick Merris, but still.

Spoilery comments go here! )
skygiants: Princess Tutu, facing darkness with a green light in the distance (DANGEROUS REVOLUTIONARY)
When I picked up Sarah Rees Brennan's The Demon's Lexicon, I knew from interviews that one of the author's goals in writing it was to really get into the head of the Tall, Dark, and Moderately Sociopathic (But Sexy) protagonist who pops up in so much fiction and present an unglamorized version. And she did a very good job with that! It is not the book's fault that I did not love being stuck in the head of a Tall Dark and Mildly Sociopathic Protagonist much of the time, which was the main reason that this book is not making it up into the ranks of my favorites.

What I did very much like about the book:

1. The mythology, which is cool and dark and deals with the consequences/sacrifices of magic and a magical economy in a nicely gritty way. (The basic idea is that to gain power, magicians have to offer a chance for demons to spend time in this world, which generally involves sacrificing humans to be possessed; their opposite number, the members of the Goblin Market, make money selling charms and defenses against demons and magicians.)

2. Many of the characters! Even Nick, who is the protagonist, I found interesting - he is the kind of character who has difficulties with empathy and understanding other people (to put it mildly) and is pretty much entirely focused on his brother Alan, whom he wants to protect even though he doesn't understand him either. It was a cool and unusual viewpoint (and I really did like how she set up for the ending), but the problem for me is that I was just as much or more interested in all the other characters that Nick emphatically Doesn't Care About - and also in Alan whom we only see through Nick's eyes - and so after a few chapters of Nick I wanted to go follow someone else around for a change. Does this happen to anyone else with books, where you enjoy the story but you would like be in someone else's head to see it happen? (This happened to me in Harry Potter, too.)

3. The fact that our protagonists are not on any kind of crusade to save the world, but are in it for their own personal survival and to protect the ones closest to them - the story kicks off when the brother of the girl that Alan has a crush on gets marked by a demon for possession, and eventually Alan also gets marked, and as far as Nick knows the goal is the simple one of Getting The Mark Off Alan, and I Guess Off Jamie Because Alan Won't Shut Up About It Otherwise.

4. The complicated and morally gray backstory going on with the previous generation. I was pretty fascinated by Alan and Nick's morally ambiguous/completely insane mother Olivia - and, again, I really wanted to see many scenes that Nick just did not care about, such as the conversations between Olivia and Alan's crush Mae. (Actually I wanted to see more of Mae in general, who is the main female character, but who, again, I could not get much of a fix on, because Nick does not care about anything about her except that she is occasionally annoying and has boobs.)

However! This is the first book in a trilogy, and from what I understand the other books will be from the viewpoints of different characters, and I am pretty excited for that! The author has posted short stories set in the same universe on her LJ as backstory for some characters who appear in the book, and those actually got me way more excited for the sequels than the book itself did - I would especially highly recommend The Arundel Tomb, which can stand alone as a short story, is not really spoilery for The Demon's Lexicon, and has magic and female friendship and love triangles that aren't!

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