(no subject)
Apr. 15th, 2013 11:28 amYou know that writing advice about figuring out the worst thing that can happen to your characters, and then making it worse?
I feel like a lot of contemporary YA dystopia very, very earnestly takes this advice a liiittle too much to heart, but Steven Dos Santos' The Culling is a particularly hilariously dramatic example.
Now, there are definitely things to like about The Culling. For one thing: gay protagonist! And, more importantly, for all the ANGST AND STURM AND DRAM racked up throughout the dystopia, the fact that Lucky is gay is never actually a source of angst, which is a nicely refreshing change.
But, I mean, Lucky has plenty of other things to angst about, include:
- the fact that he lives in a super dystopian regime called THE ESTABLISHMENT, so terrible and grimdark and hopeless and improverished that children's games include Dodge Piss and Shit Dash. Also, there are government-created plagues. Also, there is slave labor. Also, books are banned. Also, everyone gets drafted into the workforce as a teenager
- except for the SPECIAL teenagers who are chosen each year to COMPETE in LIFE-THREATENING TRIALS
- and every time they come in last in a trial, they will be forced to choose to kill one of their Incentives -- the TWO PEOPLE they LOVE THE MOST!
Obviously Lucky gets sent into the trials, with his BELOVED BABY BROTHER and his SICKLY SURROGATE MOTHER as his Incentives. There he bonds with all his fellow trainees, including SUPER HOT BLONDE REVOLUTIONARY Digory.
But then, midway through, when the trials begin, the dramatic twist:
a.) Lucky's Evil Ex, jealous about his budding relationship with Digory, has arranged for Lucky and Digory to become . . . EACH OTHER'S INCENTIVES! This means if Lucky loses, he now has to pick between killing his baby brother or his new boyfriend.
b.) Digory's other Incentive is . . . HIS HUSBAND. Yes, he's MARRIED! Shock! Betrayal! (I laughed so hard.)
The rest of the book is an exercise in ever-increasing angst porn in ever-more-dramatic locations, as various sympathetic teenagers are forced to make choices like "which one of your long-lost twin babies would you RATHER KILL?" or "will you shoot your father yourself . . . or allow him to be eaten alive by GIANT MUTANT RATS?!?!"
My favorite is probably the trial when half of the protagonists and all of their loved ones have been infected with a fatal virus, and have to dig for limited number of antidote vials . . . buried in a floor MADE OF ANGRY ATTACK ZOMBIES. Yes. That happens.
I will say this, though -- my biggest complaint with The Hunger Games (first book) was I felt it dodged out of forcing Katniss to confront the hardest decisions. She's never responsible for the death of a sympathetic character, she only kills in self-defense. And for all the HILARIOUSLY EPIC ANGST-O-RAMA, that's not a mistake this book makes. Lucky does become complicit in the deaths of various other innocent people in order to save the innocent people he likes best, and he knows it. And if you're going to write a GRIMDARK GRIM DARK DYSTOPIA, you have to acknowledge that.
I feel like a lot of contemporary YA dystopia very, very earnestly takes this advice a liiittle too much to heart, but Steven Dos Santos' The Culling is a particularly hilariously dramatic example.
Now, there are definitely things to like about The Culling. For one thing: gay protagonist! And, more importantly, for all the ANGST AND STURM AND DRAM racked up throughout the dystopia, the fact that Lucky is gay is never actually a source of angst, which is a nicely refreshing change.
But, I mean, Lucky has plenty of other things to angst about, include:
- the fact that he lives in a super dystopian regime called THE ESTABLISHMENT, so terrible and grimdark and hopeless and improverished that children's games include Dodge Piss and Shit Dash. Also, there are government-created plagues. Also, there is slave labor. Also, books are banned. Also, everyone gets drafted into the workforce as a teenager
- except for the SPECIAL teenagers who are chosen each year to COMPETE in LIFE-THREATENING TRIALS
- and every time they come in last in a trial, they will be forced to choose to kill one of their Incentives -- the TWO PEOPLE they LOVE THE MOST!
Obviously Lucky gets sent into the trials, with his BELOVED BABY BROTHER and his SICKLY SURROGATE MOTHER as his Incentives. There he bonds with all his fellow trainees, including SUPER HOT BLONDE REVOLUTIONARY Digory.
But then, midway through, when the trials begin, the dramatic twist:
a.) Lucky's Evil Ex, jealous about his budding relationship with Digory, has arranged for Lucky and Digory to become . . . EACH OTHER'S INCENTIVES! This means if Lucky loses, he now has to pick between killing his baby brother or his new boyfriend.
b.) Digory's other Incentive is . . . HIS HUSBAND. Yes, he's MARRIED! Shock! Betrayal! (I laughed so hard.)
The rest of the book is an exercise in ever-increasing angst porn in ever-more-dramatic locations, as various sympathetic teenagers are forced to make choices like "which one of your long-lost twin babies would you RATHER KILL?" or "will you shoot your father yourself . . . or allow him to be eaten alive by GIANT MUTANT RATS?!?!"
My favorite is probably the trial when half of the protagonists and all of their loved ones have been infected with a fatal virus, and have to dig for limited number of antidote vials . . . buried in a floor MADE OF ANGRY ATTACK ZOMBIES. Yes. That happens.
I will say this, though -- my biggest complaint with The Hunger Games (first book) was I felt it dodged out of forcing Katniss to confront the hardest decisions. She's never responsible for the death of a sympathetic character, she only kills in self-defense. And for all the HILARIOUSLY EPIC ANGST-O-RAMA, that's not a mistake this book makes. Lucky does become complicit in the deaths of various other innocent people in order to save the innocent people he likes best, and he knows it. And if you're going to write a GRIMDARK GRIM DARK DYSTOPIA, you have to acknowledge that.
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Date: 2013-04-15 04:21 pm (UTC)no subject
Date: 2013-04-15 04:25 pm (UTC)no subject
Date: 2013-04-15 04:31 pm (UTC)I feel like G.R.R. Martin started this with the entire grimdark world of fantasy, its not one I like a lot but oh there are a lot of them.
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Date: 2013-04-15 04:35 pm (UTC)no subject
Date: 2013-04-15 04:37 pm (UTC)"I DON'T KNOW IT WAS REALLY UNCLEAR"
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Date: 2013-04-15 04:49 pm (UTC)no subject
Date: 2013-04-15 09:06 pm (UTC)no subject
Date: 2013-04-16 02:50 pm (UTC)no subject
Date: 2013-04-15 06:04 pm (UTC)Dodge Piss and Shit Dash makes me think of this one terrible medieval novel I read where one of the kid characters was named PISSPUDDLE. No real reason; her brother had a normal name. Her parents apparently just never bothered to give her an actual name like Joan or Martha, so they just called her Pisspuddle. Because the middle ages were DARK, man, DARK.
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Date: 2013-04-15 06:10 pm (UTC). . . WOW. AMAZING. That is some plausible grim and gritty realism right there, man! YEAH. @___@
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Date: 2013-04-15 06:36 pm (UTC)It was something, all right.
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Date: 2013-04-15 06:47 pm (UTC)no subject
Date: 2013-04-15 07:06 pm (UTC)no subject
Date: 2013-04-15 07:09 pm (UTC)How was the prose style?
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Date: 2013-04-15 07:20 pm (UTC)Histrionic and excessively capitalized, but, I mean, to be fair, there's only a certain level of histrionics you can avoid when your set devices are things like FLOORS MADE OF ZOMBIES . . .
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Date: 2013-04-15 07:07 pm (UTC)no subject
Date: 2013-04-15 06:44 pm (UTC)no subject
Date: 2013-04-15 06:49 pm (UTC)no subject
Date: 2013-04-15 06:45 pm (UTC)no subject
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Date: 2013-04-16 03:52 am (UTC)no subject
Date: 2013-04-16 01:23 pm (UTC)no subject
Date: 2013-04-16 04:43 am (UTC)no subject
Date: 2013-04-16 01:24 pm (UTC)