(no subject)
Oct. 10th, 2013 10:02 amSooooo after several months of experiencing Attack on Titan secondhand on Tumblr, I finally decided to read the manga firsthand. I just wanted to get the jokes! I did not expect to get emotionally invested. THE MORE FOOL I.
For anyone who has escaped the phenomenon to date, Attack on Titan is a shonen manga, and, recently, anime series about a world in which humanity lives inside walls and is menaced by cheerful man-eating giants who make no biological sense. (The fact that they make no biological sense is a plot point.)

It is kind of ridiculous, and kind of nihilist (lots of chewed-up death) but I really like it! I have grown really terribly fond of all the asshole and/or idiot teenagers who mostly vibrate between being DEEPLY PERPLEXED and DEEPLY FULL OF RAGE at a universe that is terrible because a.) it makes no sense and they are likely to be eaten at any moment and b.) they are teenagers. Normally I get frustrated by stories full of stupid teenagers, but in this case it charms me, mostly because nobody is trying to pretend they are anything other than terrible. At one point late in the manga, one character attempts to curb her girlfriend's action suicide by shouting at her, "YOU'RE THE PERSON WITH THE WORST PERSONALITY IMAGINABLE! DON'T THROW YOUR LIFE AWAY!" This is completely accurate, except there are SO MANY CONTENDERS for "worst personality imaginable." I am deeply fond of all of them. Even the antagonists. ESPECIALLY the antagonists. ALL THE SAD TITAN CHILDREN ARE MY FAVORITES. ;___; (There are a few nice ones! Mostly they are developing into Machiavellian manipulation machines, though, so "nice" depends on how you look at it.)
The story also has a structure that -- I think is maybe common to shonen? This is the structure where you start out following one SHONEN PROTAGONIST with one fairly simple action goal in a secondary fantasy world of some sort that works by certain rules; then the focus starts pulling back, introducing more characters with more information, and it turns out that a.) there is some VERY LARGE AND SINISTER CONSPIRACY at work that means that the rules of the fantasy world are not what our protagonist or anyone else has hitherto believed and b.) our protagonist's fairly simple goal is not actually all that important at all in the grand scheme of things.
It turns out this is a structure I really like! It tends to feature large casts, puzzle-box worldbuilding, and universes that do not revolve around the protagonist, all of which I appreciate. It also applies to Fullmetal Alchemist and Claymore, which are the other two shonen that I've read all the way through -- but, I mean, I don't know a ton about common shonen structure, and I'm working off a very small sample size here. You guys who have more range, what would you say? Is this actually a common pattern with shonen, or did I just luck out?
(Non-shonen stories I would say follow this structure to a certain extent: the Steerswoman series, Gunnerkrigg Court. Now also taking recommendations for other stuff that fits this model!)
For anyone who has escaped the phenomenon to date, Attack on Titan is a shonen manga, and, recently, anime series about a world in which humanity lives inside walls and is menaced by cheerful man-eating giants who make no biological sense. (The fact that they make no biological sense is a plot point.)

It is kind of ridiculous, and kind of nihilist (lots of chewed-up death) but I really like it! I have grown really terribly fond of all the asshole and/or idiot teenagers who mostly vibrate between being DEEPLY PERPLEXED and DEEPLY FULL OF RAGE at a universe that is terrible because a.) it makes no sense and they are likely to be eaten at any moment and b.) they are teenagers. Normally I get frustrated by stories full of stupid teenagers, but in this case it charms me, mostly because nobody is trying to pretend they are anything other than terrible. At one point late in the manga, one character attempts to curb her girlfriend's action suicide by shouting at her, "YOU'RE THE PERSON WITH THE WORST PERSONALITY IMAGINABLE! DON'T THROW YOUR LIFE AWAY!" This is completely accurate, except there are SO MANY CONTENDERS for "worst personality imaginable." I am deeply fond of all of them. Even the antagonists. ESPECIALLY the antagonists. ALL THE SAD TITAN CHILDREN ARE MY FAVORITES. ;___; (There are a few nice ones! Mostly they are developing into Machiavellian manipulation machines, though, so "nice" depends on how you look at it.)
The story also has a structure that -- I think is maybe common to shonen? This is the structure where you start out following one SHONEN PROTAGONIST with one fairly simple action goal in a secondary fantasy world of some sort that works by certain rules; then the focus starts pulling back, introducing more characters with more information, and it turns out that a.) there is some VERY LARGE AND SINISTER CONSPIRACY at work that means that the rules of the fantasy world are not what our protagonist or anyone else has hitherto believed and b.) our protagonist's fairly simple goal is not actually all that important at all in the grand scheme of things.
It turns out this is a structure I really like! It tends to feature large casts, puzzle-box worldbuilding, and universes that do not revolve around the protagonist, all of which I appreciate. It also applies to Fullmetal Alchemist and Claymore, which are the other two shonen that I've read all the way through -- but, I mean, I don't know a ton about common shonen structure, and I'm working off a very small sample size here. You guys who have more range, what would you say? Is this actually a common pattern with shonen, or did I just luck out?
(Non-shonen stories I would say follow this structure to a certain extent: the Steerswoman series, Gunnerkrigg Court. Now also taking recommendations for other stuff that fits this model!)
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Date: 2013-10-10 02:40 pm (UTC)no subject
Date: 2013-10-10 03:29 pm (UTC)no subject
Date: 2013-10-10 04:23 pm (UTC)What else would you say falls into that monthly serial structure?
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Date: 2013-10-10 04:51 pm (UTC)It's also interesting to look at seinen manga and see some that have the more shounen-typical weekly structure like Naruto or Bleach. For all that Kami no Shizuku (that wine manga I gave up on collecting) is aimed at an older and presumably more sophisticated audience, it's totally a weekly serial with less beating up bad guys and more snarking about ridiculously expensive bottles of wine.
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Date: 2013-10-11 01:20 am (UTC)no subject
Date: 2013-10-10 04:22 pm (UTC)no subject
Date: 2013-10-10 04:53 pm (UTC)And the teenagers aren't all that stupid, given their situations. I mean they make a lot of bad choices but... idk I have lots of forgiveness for them.
I gotta say it's one of the few manga that can actually creep me out. It's mostly the titan designs aaaauuugh some of those designs. Blood and gore whatever--and man some of this gore is unique (tumblr are you really shipping Jean/mangled-corpse-of-friend? My God, you are)--but cartoony long arms NOOOOOO AUGH.
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Date: 2013-10-11 01:23 am (UTC)Oh, I have tons of forgiveness for them too. I'm thinking mostly of, like, Sasha and Connie goofing off when they're all clearly in quarantine, or Reiner making dumb titan jokes, or Eren and Jean's ETERNAL AND ETERNALLY FUTILE RAGE.
It doesn't actually creep me out as much as, say, Pumpkin Scissors -- body horror doesn't get me as much as psychological -- but it makes me way sadder than I expected! KIIIIIIDS.
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Date: 2013-10-10 05:13 pm (UTC)It's certainly not a perfect fit - the "fairly simple goal" is, in fact, the assassination of an immortal emperor who's ruled the known world with an iron fist for a thousand years (which, now that I think about it, is actually a surprisingly common objective for Sanderson characters - "kill the invincible one!"), and isn't all that unimportant, and also [SPOILER] - but I think it works with what you describe.
Also the main protagonist is a girl who starts out extraordinary, is world-class astounding by the middle of the second book, and goes on from there. So I think you'd enjoy it.
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Date: 2013-10-11 01:23 am (UTC)no subject
Date: 2013-10-10 05:23 pm (UTC)One Piece sort of does and sort of doesn't fit this model (the world keeps getting bigger and stranger, but oddly, our hero's goal, which -had- seemed ridiculous and implausible at the beginning, gets -more- relevant over time, rather than less).
Gurren Lagan, what I saw of it [as anime], exactly does follow this model, if in a somewhat simplistic form.
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Date: 2013-10-11 01:25 am (UTC)no subject
Date: 2013-10-10 05:56 pm (UTC)So clearly I need to fix the part where I have not read any shonen at all! Where should I begin? Attack on Titan? Fullmetal Alchemist?
(John M. Ford's novels kind of fit this. I can't think of anything else offhand.)
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Date: 2013-10-11 01:26 am (UTC)no subject
Date: 2013-10-11 12:10 am (UTC)How long did it take you to catch up on the manga? I ask, having not finished the anime yet. But sad spoiler children!
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Date: 2013-10-11 01:28 am (UTC)Ummm only a few days I think! But I put it on my Kindle and basically zoomed through three or four volumes a day, especially once I got to all the arcs that delved more into the SAD SPOILER CHILDREN.
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Date: 2013-10-11 01:04 am (UTC)also Ymir and Krista because GIRLFRIENDS but Annie does not get enough love.
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Date: 2013-10-11 01:30 am (UTC)no subject
Date: 2013-10-11 03:21 am (UTC)On the shounen structure, other people have already pointed out the differences in monthly vs weekly structures (I hadn't thought of it that way, but it does make sense) Weekly series don't all follow this structure, but what I think they share is the pulling back and expansion of the world? Especially with long-running series, I guess because it's hard to stretch an action plot past the first 10 volumes if you don't have a fairly large world for it to explore.
Double Arts was a weekly series that I think WAS going to fit this structure but they cancelled it after 24 chapters ahgdhfjfkf. For monthly series, Tegami Bachi/Letter Bee also follows this structure, I think, and Ao no Exorcist with some differences (though in both cases the protags do/will turn out to have fairly central roles in their worlds, I'm pretty sure)
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Date: 2013-10-11 12:05 pm (UTC)What I find super interesting about the monthly shonen structure I've been talking about is the fact that the world doesn't just expand, but in some sense pulls the rug out from under you -- like, in FMA the energy that alchemists use turns out to be DEAD PEOPLE, in Claymore what looks like a whole world turns out to be an island with a bigger world around it that nobody knows about. It's this sense of mystery/conspiracy that shapes the story.
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Date: 2013-10-11 02:58 pm (UTC)no subject
Date: 2013-10-12 03:27 am (UTC)no subject
Date: 2013-10-19 05:54 pm (UTC)And I said: ...are they they antagonists?
And he said: Yes. It made me think of you.
IDEK.
But anyway, thank you for this post as now I know the title! He had told me but I immediately forgot it because I was too busy thinking of it as the giant naked men with no genitals who like to eat people anime.
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Date: 2013-10-19 08:44 pm (UTC)