skygiants: Enjolras from Les Mis shouting revolution-tastically (la resistance lives on)
[personal profile] skygiants
[personal profile] lacewood asked me about my favorite musicals for the 21st!

. . . it is now I realize how distressingly frequently I have already talked about musicals for this meme. There go any of my pretentions to ever having taste! "Except all the musicals I love are great," I might say, but one of the ones that would go on this list is Frank Wildhorn's Scarlet Pimpernel, so that's not even true.

I also already dumped a ton of my feelings about Into the Woods when I talked about the upcoming movie, and I think in another post where I also talked about how I LOVE INTO THE WOODS SO MUCH, IT IS A CORNERSTONE OF MY IDENTITY. Which it is.

Then there are the ones I did not talk about for this meme specifically but have also gushed about extensively in the past nonetheless. Here is my post about Notre-Dame de Paris, my favorite over-the-top French musical, which is half the reason why I still understand any French. And here is my post about Pippin, which I would not have classified as a favorite until I saw it recently, but which I'm SUPER INTO right now.

. . . I'm not even going to talk about Les Mis. YOU ALL KNOW HOW I FEEL ABOUT LES MIS. Let's not even pretend.

So, hmm, let's see. What else falls into the 'favorite' category that I haven't talked about before here? Newsies in my heart I still think of first as a movie rather than a musical. Phantom of the Opera, in all its terrible glory, is less 'favorite' and more 'oh, my adolescence, there you are . . .'

OH. CABARET! How great is Cabaret? How much does Alan Cummings singing "I Don't Care Much" on my version of the soundtrack make me shiver every time? Why is it apparently required to have a musical about Nazis on my list of favorites? I DON'T KNOW, I'M SORRY, but I really do love it enormously; I love the glitter and the insouciance of it, and the desperate gaiety and all of its awful gutpunches. I've always been a sucker for the old Masque of the Red Death trope, the plugging your ears and dancing while the world falls apart.

I also love Aida, yes, Disney's Broadway Aida, DON'T JUDGE ME, I know it has problems but I still think it's really charming. Well, charming in the way where everyone ends up dead. But it was also deeply satisfying to Young Becca to watch a musical in which the heroine chooses her family and responsibilities over True Love and the hero ends up dumping his career (...as a despotic Pharaoh...) to follow her, rather than the other way around. Also the song where the evil vizier is followed around by a backup chorus of earnest architects singing "BUILD IT! BUILD IT! ANOTHER PYRAMID!" cracks me up every time.

One more? One more. 1776! Ah, awfully idealized American mythology. But how can I not love a musical in which all the founding fathers sing lustily about each other's sex life? "BUT I BURN, MR. A!" "SO DO I, MR. J!" Immortal dialogue I will quote at every opportunity. I will also never stop longing for the Sleepy Hollow/1776 crossover fic in which George Washington writes irritably to Congress to explain that he needs more funding because of the impending all-consuming apocalypse, and Adams and Franklin and the rest are just like "ugh, what a Gloomy Gus, does he think we're made of money? Anyway I bet he's exaggerating about the witch problem. WHATEVER, GEORGE."

Date: 2013-12-23 05:24 am (UTC)
percysowner: (Default)
From: [personal profile] percysowner
Yes, I LOVE 1776. I break it out once a year. I don't care that it's not accurate in the least, I love the darned thing. A Sleepy Hollow/1776 crossover would be fantastic! Too bad William Daniels is too old to play the John Adams that Ichabod knew.

i'm obnoxious and disliked, you know that, sir

Date: 2013-12-23 05:26 am (UTC)
musesfool: image of a snowflake (are you thinking what i'm thinking)
From: [personal profile] musesfool
I will also never stop longing for the Sleepy Hollow/1776 crossover fic in which George Washington writes irritably to Congress to explain that he needs more funding because of the impending all-consuming apocalypse, and Adams and Franklin and the rest are just like "ugh, what a Gloomy Gus, does he think we're made of money? Anyway I bet he's exaggerating about the witch problem. WHATEVER, GEORGE."

Oh my god, I would pay real internet money to read that story!

Date: 2013-12-23 05:37 am (UTC)
swankyfunk: (Alan: Emcee)
From: [personal profile] swankyfunk
Tell me you're going to see the revival of the revival of Cabaret next spring.

Date: 2013-12-23 10:03 am (UTC)
sdelmonte: (Default)
From: [personal profile] sdelmonte
I've never thought that 1776 was that far from the real events. Though New York didn't really dither THAT much. Then again, that line about Albany was accurate when the play was written and accurate until about three years ago, so I love it. But what I truly love is "Molasses to Run to Slaves," a brilliant and honest indictment of New England's hypocrisy at the time.

Date: 2013-12-23 03:14 pm (UTC)
sdelmonte: (Default)
From: [personal profile] sdelmonte
That makes it accurate about the Founding Fathers in a way. Even men like Adams, who was quite opposed to slavery, were amazingly good at burying their heads in the sand and pretending everything was as good as it could be. They had their Patriot Blinders on, even though people like Phyllis Whatley (a noted poet and a free woman of color in Boston) were taking every chance they could to make the point to the men demanding freedom from the UK and then enslaving other human beings.

The Founding Fathers were no saints, but any work of popular culture that can convey any of that to an audience inclined to say "hooray for the founders!" is a good thing.

Date: 2013-12-23 03:28 pm (UTC)
sdelmonte: (Default)
From: [personal profile] sdelmonte
So we are agreeing to agree?

Think we will ever see a counterpoint musical? 1776, from the PoV of the slaves? Maybe with some British abolitionists thrown in? Given the partial success of Bloody Andrew Jackson, there might be room off-Broadway for counter-narrative musical theater, if not a large audience.

BTW, have you ever seen a production live? I got to see the B'way revival in 1998 with Brent Spiner and Pat Hingle, which was a lot of fun and did well in part because we got to hear Data sing (though Willaim Craig was better).

Date: 2013-12-23 07:16 pm (UTC)
sovay: (Morell: quizzical)
From: [personal profile] sovay
but the sort of final conclusion that the show gives of, "well, leaving out the slavery clause was the only choice they could make! too bad, but so it goes"

I've never felt the show considered it an acceptable bargain; I remember Peter Stone saying somewhere that they had to tone down Adams' denunciation of the compromise, because if they took too much from his letters directly, the line about trouble in a hundred years would sound artificial (I think they should have gone with it). Nonetheless, I agree with you about voices. McNair, the young courier, and in some ways Thomson are the only alternatives—Abigail, too, I suppose—but even they're still within the structure of the Congress.

Date: 2013-12-23 01:29 pm (UTC)
cinaed: This fic was supposed to be short (Default)
From: [personal profile] cinaed
Oh man, that would be the BEST crossover. *starry eyes* Poor gloomy George.

Also, I too love Aida for all the reasons you said! Aida is just so sensible, even if she's still doomed! Hm, I think I'm going to have to listen to my copy tonight-- at the very least "Dance of the Robes," which is my favorite song in the musical.

Date: 2013-12-23 07:09 pm (UTC)
sovay: (Cho Hakkai: intelligence)
From: [personal profile] sovay
Ah, awfully idealized American mythology. But how can I not love a musical in which all the founding fathers sing lustily about each other's sex life?

I keep making a non-ironic case for 1776 as possibly the best movie musical after Singin' in the Rain. It transferred all the important stage principals and added no cinematic ringers except for possibly Blythe Danner and who cares; she's great. I watch it every year for the Fourth of July and quote the rest of it year round. When I said for years that I wanted the cranky dybbuk of John Adams to haunt the Bush administration, he always looked like William Daniels to me.

(I have also said nice things about Dickinson on occasion.)

Also, [livejournal.com profile] derspatchel and I exchanged rings with Hebrew adapted from "Till Then," so there's that.

Date: 2013-12-24 03:43 am (UTC)
bookblather: A picture of Yomiko Readman looking at books with the text "bookgasm." (Default)
From: [personal profile] bookblather
1776 IS THE BEST and actually more accurate than most people think-- at least 35% of it is direct quotes from Adams's later writings. Of course Adams himself wasn't 100% accurate especially with the whole obnoxious and disliked thing. But the relationships among the Founding Fathers are pretty accurate! Except for Dickenson. Poor Dickenson. I STILL LOVE YOU.

And also Rutledge. Inappropriate "o helo thar" feelings during Molassas to Rum, anyone?

Date: 2013-12-26 12:10 am (UTC)
bookblather: A picture of Yomiko Readman looking at books with the text "bookgasm." (Default)
From: [personal profile] bookblather
Poor Dickinson. He really got his reputation shredded. At least they let him be briefly honest at the end.

It's okay! You are neither confirmed nor denied to be not alone.

...that was funnier in my head.

Date: 2013-12-25 03:11 pm (UTC)
lacewood: (Default)
From: [personal profile] lacewood
THANK YOU FOR AN EXCELLENT LIST. I might not get a chance to watch ALL of these but maybe one far off day I will.

They actually have a production of Notre Dame playing in Singapore right now! I have been debating if I should drag a friend to watch it or if my wallet will cry at me TOO hard. I should just bite the bullet, who knows if they'll ever play it here ever again...

Date: 2013-12-26 04:30 am (UTC)
lacewood: (Default)
From: [personal profile] lacewood
It's playing in English! The reviews seem pretty decent from what I can tell. XD

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