(no subject)
Aug. 11th, 2024 10:14 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
For years now I've been getting Lolly Willowes out of the library on ebook as a backup every time I go on a trip and then not getting around to it and thinking 'well, next time,' but the time finally came! What a strange and evocative little book. I knew 'Sylvia Townsend Warner' and 'about witches' and it turns out that did not in any way give me a correct impression of what it would be like.
Laura, the protagonist of Lolly Willowes, is a bit odd and dreamy and extremely Uninterested In Marriage; when her father dies and she can no longer live comfortably in a big country house with him doing as she likes, she goes to live with her brother and sister-in-law and their children. The children grow up; WWI occurs; her brother and sister-in-law give up on her marrying; nothing meaningfully changes for a full half of the book, until, suddenly, twenty years later, she is struck by a sudden profound and desperate conviction that she herself must make it change, picks a random remote location, and, to the bewilderment and disapproval of her entire family, settles in the town of Great Mop, in the Chilterns, Pop. 227.
Alone for the first time in decades, she goes for long rambles and cautiously befriends her landlady and assists with physical labor and is largely unbothered by the occasional strangeness of the village. Then her nephew -- of whom she has always been quite fond -- decides it would be lovely to come stay in her little town and experience her lovely little cottagecore lifestyle and attempt to write a book, and in his presence she finds that she is somehow trapped into being Aunt Lolly again, and all the great wonder and self-discovery of her escape has become small and domesticated.
Fortunately, Satan is there to help! and so Lolly makes a deal, and becomes a witch, which sounds quite dramatic, but isn't really any more than the rest of the book; Satan is exactly part and parcel of Laura's quiet freedom in Great Mop, bounded about by all the pettiness and silliness of the rest of the world, (including a great deal of the worship of Satan). Almost certainly Sylvia Townsend Warner wasn't the first to put into words the idea that if a woman isn't what society expects then she must become a witch [laudatory] but even to this date very few I think have expressed it with such -- prosaic isn't the word, because her writing is anything but that -- let's say close attention and interest to life in attentive, miniaturized, undramatic, and often quite funny detail.
Laura, the protagonist of Lolly Willowes, is a bit odd and dreamy and extremely Uninterested In Marriage; when her father dies and she can no longer live comfortably in a big country house with him doing as she likes, she goes to live with her brother and sister-in-law and their children. The children grow up; WWI occurs; her brother and sister-in-law give up on her marrying; nothing meaningfully changes for a full half of the book, until, suddenly, twenty years later, she is struck by a sudden profound and desperate conviction that she herself must make it change, picks a random remote location, and, to the bewilderment and disapproval of her entire family, settles in the town of Great Mop, in the Chilterns, Pop. 227.
Alone for the first time in decades, she goes for long rambles and cautiously befriends her landlady and assists with physical labor and is largely unbothered by the occasional strangeness of the village. Then her nephew -- of whom she has always been quite fond -- decides it would be lovely to come stay in her little town and experience her lovely little cottagecore lifestyle and attempt to write a book, and in his presence she finds that she is somehow trapped into being Aunt Lolly again, and all the great wonder and self-discovery of her escape has become small and domesticated.
Fortunately, Satan is there to help! and so Lolly makes a deal, and becomes a witch, which sounds quite dramatic, but isn't really any more than the rest of the book; Satan is exactly part and parcel of Laura's quiet freedom in Great Mop, bounded about by all the pettiness and silliness of the rest of the world, (including a great deal of the worship of Satan). Almost certainly Sylvia Townsend Warner wasn't the first to put into words the idea that if a woman isn't what society expects then she must become a witch [laudatory] but even to this date very few I think have expressed it with such -- prosaic isn't the word, because her writing is anything but that -- let's say close attention and interest to life in attentive, miniaturized, undramatic, and often quite funny detail.
no subject
Date: 2024-08-11 02:56 pm (UTC)no subject
Date: 2024-08-12 01:48 am (UTC)no subject
Date: 2024-08-11 03:00 pm (UTC)no subject
Date: 2024-08-12 01:52 am (UTC)If the library doesn't have it, it also seems to be on Gutenberg!
no subject
Date: 2024-08-12 03:04 am (UTC)I very highly recommend Kingdoms of Elfin (1977), which is a collection rather than a novel, although it forms a strong mosaic; it may still be my favorite thing of hers. I officially discovered her with a then-uncollected Elfin story which can since be found in Of Cats and Elfins (2020), for which Greer did the foreword. I also love The Flint Anchor (1954), for which I recommend this essay by Matthew Cheney even if I disagree with him about the frustration of the novel. I haven't actually disliked anything of hers except for After the Death of Don Juan (1938) which I bounced off so badly I can't even remember why and should try again when I get it out of storage one of these days.
no subject
Date: 2024-08-11 03:53 pm (UTC)(Also, may I link to my Lolly Willowes/Travel Light crossover?)
no subject
Date: 2024-08-12 01:53 am (UTC)no subject
Date: 2024-08-11 04:32 pm (UTC)no subject
Date: 2024-08-12 01:54 am (UTC)no subject
Date: 2024-08-11 04:42 pm (UTC)I blinked at your getting it from the library---isn't it out of copyright, I thought? And indeed Lolly Willowes (1926) is out of copyright and available on Project Gutenberg.
no subject
Date: 2024-08-12 01:55 am (UTC)no subject
Date: 2024-08-11 06:18 pm (UTC)Oh good, it's always nice when that happens.
no subject
Date: 2024-08-12 02:36 am (UTC)no subject
Date: 2024-08-11 06:38 pm (UTC)no subject
Date: 2024-08-12 02:38 am (UTC)no subject
Date: 2024-08-12 02:50 am (UTC)If you are going into things besides the novels, I highly recommend the short stories in Kingdoms of Elfin and her collected correspondence with New Yorker editor William Maxwell, The Element of Lavishness, which is flat-out the most charming thing I have ever read.
no subject
Date: 2024-08-13 04:37 pm (UTC)no subject
Date: 2024-08-11 09:54 pm (UTC)Yay!
no subject
Date: 2024-08-12 02:42 am (UTC)no subject
Date: 2024-08-12 01:45 am (UTC)At Scintillation, a small con in Montreal, earlier this summer, I ran a book club panel on it, and Greer brought her first edition, which has beautiful witch-on-broom silhouettes all over the cover. Noted by various were things such as how very little Christianity there actually is in the book, and how thoroughly obvious it becomes even that her good and pleasant relatives are not people Lolly can live with or near (go for it, that one niece who became an ambulance driver in the war and is probably off in a Mary Renault!), and how obnoxious the man who plays Satan is versus how obnoxious Satan isn't, and how some of the other witches are worthwhile even if the overall coven has... issues. And of course the cat is perfect, Sylvia Townsend Warner always has perfect cats.
Just, so radical... the drift towards Satan is not particularly a moral decision; it has nothing to do with sin. It's about what she can live with, and what she can't, which is a completely different matter, no question of morals about it at all. That's not an attitude towards witchcraft that other things take, and it is not an attitude towards women's lives that other things take anywhere nearly as often as I would like.
I hope Naomi Mitchison read this one, but I can't find proof either way.
no subject
Date: 2024-08-12 02:50 am (UTC)That sounds like a wonderful discussion, I wish I'd been there for it! THE CAT IS INDEED PERFECT. The way that the silly pageantry of the coven is clearly all wrong for Lolly whatever it's bringing to the rest of the village is also perfect; Lolly's Satan is not a public Satan, the way that Lolly shrinks from any aspect of her life being a public thing. It's all private, quiet, personal and individual to her.
I would also really love to read Naomi Mitchison's thoughts about it.
no subject
Date: 2024-08-13 04:39 pm (UTC)no subject
Date: 2024-08-12 03:05 am (UTC)Headcanon accepted.
no subject
Date: 2024-08-14 02:25 am (UTC)no subject
Date: 2024-08-12 12:33 pm (UTC)Fortunately, Satan is there to help!
In the nick of time!
no subject
Date: 2024-08-12 03:26 pm (UTC)no subject
Date: 2024-08-13 12:32 pm (UTC)no subject
Date: 2024-08-13 12:33 pm (UTC)no subject
Date: 2024-08-12 03:07 pm (UTC)no subject
Date: 2024-08-13 03:33 am (UTC)no subject
Date: 2024-08-12 03:10 pm (UTC)no subject
Date: 2024-08-13 03:33 am (UTC)no subject
Date: 2024-08-12 04:36 pm (UTC)no subject
Date: 2024-08-13 03:33 am (UTC)no subject
Date: 2024-08-12 06:15 pm (UTC)no subject
Date: 2024-08-13 03:34 am (UTC)no subject
Date: 2024-08-12 09:04 pm (UTC)no subject
Date: 2024-08-13 03:35 am (UTC)no subject
Date: 2024-08-14 02:24 am (UTC)I was pleasantly surprised with the quiet ending of the story; contrary to typical connotations of witchcraft and dealings with the devil, the sense of peace and sheer relief Lolly eventually finds is lovely, even a bit enviable (who among us hasn't considered selling our soul for a moment's peace, at least once? ;)).
no subject
Date: 2024-08-16 11:39 pm (UTC)