skygiants: Mary Lennox from the Secret Garden opening the garden door (garden)
Anne Lindbergh is one of those children's authors that nobody but me seems to remember, but her Three Lives to Live was wildly formative on me and seems to be quite rare these days, so I've picked up the habit of looking for her books any time I go into a used bookstore to see if I can build up a collection.

So far this has yielded me: one! The Worry Week, which I did not in fact read as a child but was quite pleased to experience for the first time last month -- it's a low-stakes survival story about a kid who convinces her siblings to go in on an elaborate plan to stay on at their summer cabin in Maine when their parents are called home for an emergency instead of getting sent to stay with their mean aunt.

It's quite a reasonable plan until the kids get back to the cabin and discover that their parents already told their neighbors to take all the perishable food out of the house, so instead of spending the week relaxing they instead spend it foraging, bickering, and hiding from the neighbors. There is also a little bit of a buried-treasure hunt, but the treasure is really not a driver and the main action is still mostly around the kids making sure that they actually have something to eat every day. It's not nearly as weird as most of the Lindberghs that imprinted themselves on my brain when I was small, but it's a very pleasant little read for people who enjoy Kids Living Off the Land and/or Atmospheric Maine Cottages.
skygiants: Mosca Mye, from the cover of Fly Trap (the fly in the butter)
I've been tackling a project at work recently that has to do with the Lindbergh kidnapping case, which is one of the reasons I've been waxing extremely nostalgic about one of my favorite childhood authors that nobody else has ever heard of: Anne Lindbergh, who I didn't realize until I was much older was actually the daughter of Charles and Anne Morrow. Which has no relevance to her books at all, really, except for the cognitive dissonance; Anne Lindbergh's books are charming and SUPER WEIRD eighties and nineties middle-grade fantasies that seem about a billion worlds away from the 1930s and controversies about airplanes and fascism.

My favorite -- which I've just reread -- is called Three Lives to Live. This book has actually been a huge influence on the way I write, and also the way I edit. It's written as protagonist Garet's 'autobiography' for a 7th-grade school project, which means about a third of the book is complaints about her English teacher criticizing her for not doing what "The Professional Writer" would do. At one point the teacher complains that Garet needs to use more active speech verbs than 'said'.

Garet's response is to rewrite the offending passage, like so:

"I wouldn't want to risk it. I bet you wouldn't either," I chirp.
"I would so," she blubbers.
"You would not," I yelp.
"How much do you want to bet?" she queries.
"I'll bet a million dollars," I coo.
"You don't have a million dollars," she yawns.
"Then I'll bet anything you like," I yap.
"You don't
have anything I like," she bellows, "so I guess I won't bet after all."
"Chicken!" I grin.


I THINK OF THIS EVERY TIME I'm about to recommend to someone that they vary their word choice in a dialogue section. There's a lot to be said for the invisible said!

(The seventh-grader whose autobiography involves a lot of bodice-ripping from a love-crazed duke suggests that Garet add 'breathed throatily' to her collection of speaking verbs. I love that seventh-grader.)

...meanwhile, the actual plot involves Garet's relationship with the rest of her family: her grandmother, whom she lives with, and her twin sister, Daisy, who isn't actually her twin sister, she just came down the laundry chute one day a few months ago. Their grandmother refused to provide any information and insisted that Garet just had to adapt to having a sister in the house. Garet is not adapting to having a sister in the house. Daisy is prettier and smarter and weirder and gets EVERYTHING, including a canopy bed and a laptop computer, ugh! (Sidenote: the book was written in 1993, and I'd forgotten laptop computers were already invented then!)

Then about midway through there's the reveal that spoilers get hilariously weird below below! )

I had not forgotten how much I loved this book, but it's nice to be confirmed in how much I love this book! I'm kind of sad now that it's much too late to nominate it for Yuletide. MAYBE NEXT YEAR.
skygiants: Chauvelin from the Scarlet Pimpernel looking enormously cranky (pissyface)
So last night I came home at 11:30 PM . . . and realized that I had left my apartment keys in my desk at work! :D! (:/)

Three calls to my roommate got absolutely no response, and lurking sketchily in the Dunkin' Donuts for an hour in hopes of seeing someone enter the building also yielded no results, so eventually I gave up and called my mom (Beccamom: mffzzwhatyessureyoucancomesleephe...*SNORE*) and then fought my way back through the subway system to her apartment. Fun self-awareness fact: normally I do not think of myself as particularly irritable, but apparently I am HAIR-TRIGGER when locked out of my apartment, as proven by all the times I passed by groups of cheerful girls letting out high-pitched shrieks of giggling at regular intervals and had to fight down the urge to DESTROY DESTROY. This is especially hypocritical considering all the times I have been that shrieking girl on the subway, as any of you who have had occasion to take a subway with me know. Anyway, now I am at work, in my mother's clothing, trying valiantly to feel human and like a productive member of society and actually do work instead of glaring across the city at my roommate, who forwarded a cheery e-mail to me this morning about swing-dancing in the park and made no mention of the messages I left on her phone last night going "WHERE ARE YOU WHERE ARE YOU WHERE ARE YOU." Because it is not really her fault that I am an idiot. (The most frustrating part was that I had actually been doing quite well at getting back into the groove of making myself write a page a day this whole week! And now my streak is broken.)


But you know what helps with feeling human and cheery and non-rageful (if not necessarily productive?) Canonical fanfic! I have been rereading some of the kid's books I have fond memories of when I was small, and they are both hilarious examples of self-insert fanfiction in the most literal sense.

Edward Eager's Knight's Castle is most blatant, and most awesome. It involves four cousins who find that their playset is magic and transports them to knight-fantasy-land in the middle of the night to have ADVENTURES. Moreover, they have just seen Ivanhoe, they have set up their playset with an Ivanhoe theme, and that means the whole book basically becomes hilarious Ivanhoe fanfic. (Fun fact: the only reason I know the plot of Ivanhoe at all is because of this book.) Seriously, you can run down a checklist of fanfic tropes. Also there's a Dark is Rising crossover. )

Anne Lindbergh's Travel Far, Pay No Fare is less hilariously fanfiction-y, but even more wish-fulfillment-y - the premise is that two soon-to-be-stepsiblings find a magic bookmark that lets them go into books! This was my childhood DREAM, guys. Awesomely, mostly they use it to go into YA books featuring Prominently Dead Pets and rescue them from being dead. (Including the canary in Little Women, which our teenaged-boy narrator protests loudly at having to visit until he gets a crush on Amy.) Also hilarious is the fact that the protagonist's mother is basically a Lurlene McDaniels Lite who writes books like "I Didn't Ask For Asthma."

SO BASICALLY, these books give me hope that really all you have to do to be a beloved YA author is write cracked-out self-insert fic about other books. In which case, I have totally found my career calling!

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