skygiants: Hazel, from the cover of Breadcrumbs, about to venture into the Snow Queen's forest (into the woods)
Spinning Silver is one of those books that I put off reading for ages precisely because I was so confident I would like it; I bought a hard copy because I felt pretty sure I'd want to own it, and then, as is inevitably the case when I buy hard copies of books, it sat on my shelf for ages while I desperately tried to keep on top of my library pile.

Anyway now I have finally read it and indeed I did love it, and was glad to have saved it for a time when I really needed a good book, so this is really a triumphant story about how well I know myself and my own tastes!

Spinning Silver is an extremely Jewish-Russian fantasy, told in a variety of first-person viewpoints, primarily those of our three heroines:

Miryem, the daughter of a sweet but very incompetent Jewish moneylender, who in reaction has decided that being sweet is a waste of time and become an extremely competent moneylender, much to her parent's concern; unfortunately has now become so very competent that the king of the local evil ice fairies keeps turning up to ask her to turn his fairy silver into gold

Irina, the daughter of a businesslike Russian nobleman, who wants to marry her off to the handsome young tsar, who, alas, is almost certainly evil; this plan seems unlikely to succeed until Miryem's adventures provide an injection of fairy silver into the proceedings

Wanda, the daughter of Miryem's impoverished and abusive neighbor, who starts working for Miryem's and her parents in order to pay off a moneylending debt and soon starts leveraging this into a plan to escape her father; her problems are mostly unrelated to ice fairies except inasmuch as Miryem's family begins to absorb her and her siblings and thus their ice fairy concerns naturally become relevant, but the emotional arc of her and her brothers learning slowly and painfully how to be a family to each other is extremely good

I love all of these women, but most especially Miryem, who is cold and clever and pragmatic and very angry most of the time, and whose (very fairy-tale and very Jewish) ability to both follow and manipulate the letter of a bargain both dooms her and saves her. The gears of plot and character and fairy-tale logic are all extremely well-balanced -- and were the cockles of my heart warmed when the entire dramatic climax turned out to revolve around Miryem's promise to attend her cousin's Jewish wedding? YES THEY WERE, EXTREMELY.

(I am also extremely impressed with Novik's mastery of voice in this book; it's all first-person and all the heroines and all the side characters sound very distinctly different.)

All that said: look, I'm totally fine with the two very dramatic fairy-tale monster romances presented in this book, they are very fairy-tale and don't really take up a lot of emotional space, but ... I also still .... don't understand why Naomi Novik pretends she's never heard about lesbians ...... Naomi! There were three heroines in this book. Three! You could perfectly well have kept one fairy-tale monster het, if you felt it was really important, and still thrown all the rest of us a bone.
skygiants: Rue from Princess Tutu dancing with a raven (belle et la bete)
Like almost everyone else, I thought Naomi Novik's Uprooted was pretty fantastic.

It started out feeling very comfortably familiar to me, a top-notch version YA Beauty and the Beast story -- the two most immediate comparisons for me were Robin McKinley and, uh, a much better-written version of Mercedes Lackey's Fire Rose, I'M SORRY. But you guys know the kind of story I mean, right? There's an awkward teenage girl, and she has to leave everything she knows to go live with a powerful, mysterious, somewhat monstrous figure, and in the course of it the monster is revealed to be human and vulnerable, and the girl comes into her own probably-magical power, and they most likely fall in love in a way that metaphorically signifies the shift in power dynamics and the heroine coming of age. YOU KNOW.

I like those stories, and I was all prepared to enjoy the story that I thought this was, but in fact that's really only about the first third of the book and then EVERYTHING ELSE STARTS HAPPENING A LOT.

While the Beauty and the Beast story gives Agnieszka a framework for her romance and coming of age, most of the heart and the plot of the book is tied up in the heroine's relationship with her hometown and, specifically, her best friend Kasia, both of which are inextricably tied to a monstrous and malevolent forest. Then powerful people find out about this, and everything escalates very quickly, and suddenly there's royalty and kingdom-threatening forces and court drama --

-- and, OK, to be honest, I actually did not care very much about the interlude of court drama and I think some of it could probably have been cut out of the book; it's all quite page-turney, and I liked the other wizards (Alosha!), but, like, what is the purpose of the Mean Girl who briefly befriends our heroine only to turn out to have been secretly laughing at her at parties all along? That feels like a sequence that came out of a different fantasy-of-manners kind of book. Uprooted is not fantasy of manners. It's not really about kings and courts. At heart, Uprooted is a fantasy about a village girl, and the tie that she has to her village, and to the forest and the land around it. The forest is at the beginning and the end of this book. That's what gives Agnieszka her power, and honestly, it's what gives the book its power too. Uprooted is at its best and strongest when it's most grounded.

Some other thoughts are spoilery )
skygiants: Akio from Utena, with text 'my period of erotic sibling representation is over' (hey mister chairman)
For context here, all you really need to know is that the other night [livejournal.com profile] shati tripped and fell into the Revolutionary Girl Utena page on TVtropes while in chat.

Nuanced and thoughtful analysis of Akio's role in the story below. )

In non-seduction news, a while back I recced my friend Rahul the Temeraire books. He read them and was promptly inspired to write a blog post about a navy staffed entirely by Lord Nelsons. Then he turned that into a short Golden Age of Sail parody IN SPACE called Death's Flag is Never at Half-Mast and sold it to an online magazine, where you can now read it!

I think I get, like, one percent of the credit for the story for giving him the Temeraire books to begin with, which is more stake than I have ever had in a published story before, so I feel a bit smug about this. My booklogging has led to material gain for somebody! VALIDATION. By chain of association, those of you who told me to read Naomi Novik can also feel smug and claim point five percent of the credit. Rahul also wishes to point out that his moustache is clearly the most glorious on the author page, but in the name of truth in advertising I must sadly let you all know that as of the last time I saw him it no longer exists.
skygiants: Princess Tutu, facing darkness with a green light in the distance (through the clouds)
Let's see how long into 2009 I am catching up for 2008! (Probably not long, actually. I just like being melodramatic.)

So: I finally read Naomi Novik's Victory of Eagles, only like half a year after the rest of the internet! I continue to find the series awesome, and . . . whatever else I could say not under a cut would probably spoil one of the books or other. SO! Under a cut my thoughts go! )

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