skygiants: a figure in white and a figure in red stand in a courtyard in front of a looming cathedral (cour des miracles)
I read Stacy Schiff's The Witches: Salem, 1692 not because I'm particularly interested in the Salem witch trials, but because I liked her nonfiction prose style in the Cleopatra biography she wrote well enough that I was interested in whatever subject she chose to write about.

I felt like I had a fairly reasonable grasp on the key events going in, both from reading some books as a kid and from cultural osmosis -- hysterical teens, Tituba, stressed-out Puritans, distressed accused grandmothers, "more weight!", Cotton Mather sticking his nose in every which way -- and most of the things I vaguely remembered did indeed turn out to be accurate, though I appreciated in general Schiff's strict adherence to facts rather than speculation, and careful attention to gaps in the historical record. I also appreciated the breadth of her scope, and how she places the witchcraft scare in context; she draws a detailed portrait of the pre-existing stressors and small-town politics of Salem Village (a town so rancorous that they kicked out three ministers in ten years, one of whom ended up accused of witchcraft despite living an entire state away, and nearby Actual Salem Town wrote to them multiple times in the pre-witchcraft years to be like "PLEASE STOP ASKING US TO MEDIATE YOUR ARGUMENTS, WE'RE TIRED AND WE DON'T CARE") but also of the broader context and how Massachusetts politics may have influenced the reaction to the crisis. (It is notable -- a fact I did not know -- that the witchcraft trials somehow mysteriously slowed their roll after the governor's wife was accused.)

Maybe most of all I liked how she wrote about the little we know of the aftermath -- it's horrible but fascinating to think about all the people who accused each other at the height of the crisis and then had to spend their ENTIRE LIVES running into each other awkwardly at the store.

Schiff is particularly interested in the Nurse clan, and successfully managed to get me interested in them as well; Rebecca Nurse was an apparently much-beloved seventy-something great-grandmother whose family (unlike that of most other victims) unilaterally rallied around her when she and her sisters were accused of witchcraft and immediately started a HOW DARE YOU ACCUSE GRANDMA petition. The jury originally acquitted her! The judges were like "ummm maybe rethink that," and alas, Rebecca Nurse was executed, along with her sister, Mary Esty, who wrote a very polite letter to the judges asking that they perhaps reconsider executing any more witches after her.

Unsurprisingly, the Nurse family spent the next decade Still Mad About Grandma (And Great-Aunt Mary). They collectively refused to attend church until Samuel Parris the town minister (a prosecutor in the trials and related to several accusers) publicly apologized, which he refused to do for years, and the feud went on until finally it resulted in Parris getting forced out of his position; score one for the Nurse clan. On the other hand, the next minister reorganized church seating arrangements so that they had to sit next to the other family that accused Grandma of being a witch. So it goes. I was describing this to [personal profile] attractivegeekery and [personal profile] genarti and they pitched me the idea of a black comedy show about small-town sniping in seventeenth-century Puritan America, in which it is only gradually revealed that the small town is Salem and the reason Ann and Mary keep getting into fights over floral arrangements on the church beautification committee is Still Because Of That Time Grandma Was Executed For Witchcraft.

All that said, I have one major complaint about the book, and that is that for all her broad scope, Schiff somehow completely avoids some topics that I think are really quite relevant, like, for example, slavery in Puritan America. We spend a little time on Tituba; it's impossible, in writing a book on the Salem witch trials, not to spend a little time on Tituba; I still have no idea how common or uncommon it was for a man like Samuel Parris to have slaves, what their position and status would have been in Salem, and what context they themselves might bring to the witch trials. Similarly, Schiff spends a fair amount of time on the fact that the colonists lived in fear of attacks from the local tribes, and no time at all using her undeniably clever prose to contextualize or complicate Puritan Ideas about Indians.

We do, however, get some perspectives from the local Quakers. They appear to have spent the entire time period of the Salem Witch Trials filled with a deep sense of schadenfreude, and I think anyone who read The Witch of Blackbird Pond would agree that honestly that seems fair.
skygiants: Princess Tutu, facing darkness with a green light in the distance (royaume inconnu)
For Hanukkah this year, my dad bought me the new biography of Cleopatra, Stacy Schiff's Cleopatra: A Life. I am pretty sure that this was actually a a not-so-subtle reminder on his part that we had been talking about going to the Cleopatra exhibit at the Franklin Institute (which worked, for the record; I bought us all tickets for his birthday, and we went, and it was vastly entertaining) but, you know, now I also had this book! Which I went into with few expectations, and therefore was enormously and pleasantly surprised to find myself pretty much loving it.

Stacy Schiff is explicitly out to show that Cleopatra was "more than the sum of her supposed seductions," to sift through what little information we have about her and her reign and draw out a picture of an intelligent, practical politician who was one of the most powerful women of the ancient world in her own right. Which is a worthwhile project and one I am excited about, but I'm not going to lie, the main part of my enjoyment of the book lies in Schiff's prose. Schiff is not just a thorough but a very witty writer, who can occasionally go over-the-top in terms of description, but is nonetheless a woman who is very clearly appreciative of LOLHISTORY. She spends several delighted pages discussing the incestuous twists and turns of the Ptolemy family tree; she's hilariously cutting about Cicero, whose dislike for Cleopatra she traces to the queen not delivering a book he'd asked to borrow from her library; she takes a digression to tell us all about Herod and his wife, who "to his frustration, somehow never could get past the fact that Herod had murdered half her family," and his wife's teenaged brother, who was so pretty that Herod's mother-in-law sent a letter and some portraits to Marc Antony basically saying "hey, dude, my kids are SO HOT. CHECK IT," and Antony was like ". . . . yeah, I would be okay taking Herod's brother-in-law as a page or something, IF YOU KNOW WHAT I MEAN," and then Herod had to scramble around so that Antony would not show up at his doorstep all "HHHHHELLO. I COME TO HAVE SEX WITH YOUR FAMILY (ALL MEMBERS OF WHOM ARE CONSPIRING AGAINST YOU)."

. . . and I've lost my dignity in this review, haven't I. ANYWAY, the point is I found this book enormously enjoyable, and am also pleased with its stated feminist project, and now I kind of want to finally get around to watching Rome and also reading Schiff's other biographies. It was also actually exciting to learn about Cleopatra, since somehow she went under my radar when I went through my phases of obsession with various powerful queens as a kid and read up everything I could find on Hatshepsut, Elizabeth I and Eleanor of Aquitaine.

So, my question for you guys: who is your favorite AWESOME QUEEN(/Empress/Woman King/whatever the correct nomenclature is)? Bonus points if it is someone I do not know so I can then go look them up! (But also bonus points if it is Elizabeth I or Hatshepsut or anything else that is pandering to my favorites, so really it is all bonus points.)

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