(no subject)
May. 2nd, 2018 04:18 pmMy last foray into Andre Norton's non-speculative fiction was a SPECTACULAR success, but I am sad to report that the follow-up, Velvet Shadows, was an equally spectacular failure.
I was saving this one for last of the free Andre Norton Gothics I acquired last year because, well, here is the summary:
Tamaris Penfold was hired as a companion to Alain Sauvage's frail but lovely half-sister, Victorine. She would be a "friend" who would try to protect her from another scandalous involvement--like the one back in France.
Of course I was hoping it would be gay! Obviously I was hoping for this! Alas, not only was it not at all gay, it was also extremely racist.
The 'scandalous involvement' is that Victorine, who grew up in the West Indies a la Mrs. Rochester, was engaged to a man of color before her brother came and swept her away. Andre Norton wants everyone to understand that the panic about this is not because racism, it's because he was EVIL and also VOODOO. Why, Mr. Dreamy Love Interest Alain Sauvage can't be racist, he himself had a Native American grandmother! We're definitely not going to be at all weird about that in this book either!
The narrative's stance on ethics becomes especially hilarious when Victorine does finally run away with her secret boyfriend -- super consensually! it's very clear! -- and Tamaris gets some ZOMBIE POWDER to RENDER HER INCAPABLE OF PROTEST when she KIDNAPS HER BACK. What a plucky heroine!
It's okay though, after Tamaris spends the entire last third of the book going to superhuman efforts to thwart the dangers of a mixed-race marriage -- nearly getting human sacrificed to her pains, in a wildly exoticized scene that I cringed through the entire way -- Evil Voodooienne Victorine and her Evil Voodoo King Boyfriend run away together ANYWAY. So the entire thing was pointless, but I hope they're very happy.
That said, the book did have the bonus of featuring Mary Ellen Pleasant as a Historical Side Character. It is also very ambivalent about her -- 'she helped the Underground Railroad, that's cool, I guess, but also she was mean to some white people and HAS AN AGENDA, MAYBE SINISTER!!!' -- but I am not at all ambivalent and would like to know everything about her, immediately. Expect more on that in accordance with the will of the library!
I was saving this one for last of the free Andre Norton Gothics I acquired last year because, well, here is the summary:
Tamaris Penfold was hired as a companion to Alain Sauvage's frail but lovely half-sister, Victorine. She would be a "friend" who would try to protect her from another scandalous involvement--like the one back in France.
Of course I was hoping it would be gay! Obviously I was hoping for this! Alas, not only was it not at all gay, it was also extremely racist.
The 'scandalous involvement' is that Victorine, who grew up in the West Indies a la Mrs. Rochester, was engaged to a man of color before her brother came and swept her away. Andre Norton wants everyone to understand that the panic about this is not because racism, it's because he was EVIL and also VOODOO. Why, Mr. Dreamy Love Interest Alain Sauvage can't be racist, he himself had a Native American grandmother! We're definitely not going to be at all weird about that in this book either!
The narrative's stance on ethics becomes especially hilarious when Victorine does finally run away with her secret boyfriend -- super consensually! it's very clear! -- and Tamaris gets some ZOMBIE POWDER to RENDER HER INCAPABLE OF PROTEST when she KIDNAPS HER BACK. What a plucky heroine!
It's okay though, after Tamaris spends the entire last third of the book going to superhuman efforts to thwart the dangers of a mixed-race marriage -- nearly getting human sacrificed to her pains, in a wildly exoticized scene that I cringed through the entire way -- Evil Voodooienne Victorine and her Evil Voodoo King Boyfriend run away together ANYWAY. So the entire thing was pointless, but I hope they're very happy.
That said, the book did have the bonus of featuring Mary Ellen Pleasant as a Historical Side Character. It is also very ambivalent about her -- 'she helped the Underground Railroad, that's cool, I guess, but also she was mean to some white people and HAS AN AGENDA, MAYBE SINISTER!!!' -- but I am not at all ambivalent and would like to know everything about her, immediately. Expect more on that in accordance with the will of the library!
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Date: 2018-05-02 09:43 pm (UTC)no subject
Date: 2018-05-03 12:24 pm (UTC)no subject
Date: 2018-05-03 12:46 am (UTC)Yikes.
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Date: 2018-05-03 12:19 pm (UTC)no subject
Date: 2018-05-03 04:13 pm (UTC)This feels so out of character for Norton that I hope I can blame the conventions of the Gothic. I do not remember The White Jade Fox (1975) being this horrific.
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Date: 2018-05-04 12:27 pm (UTC)no subject
Date: 2018-05-03 07:04 am (UTC)no subject
Date: 2018-05-03 12:20 pm (UTC)no subject
Date: 2018-05-04 05:35 am (UTC)no subject
Date: 2018-05-04 12:25 pm (UTC)no subject
Date: 2018-05-03 08:36 am (UTC)no subject
Date: 2018-05-03 12:24 pm (UTC)no subject
Date: 2018-05-03 02:28 pm (UTC)Here's what River of Shadows has on her, by the way:
“There were dozens more San Franciscans with a drowned past and an invented present. Mary Ellen Pleasant had been born a slave in Georgia, reputedly learned voodoo from New Orleans’s Marie Laveau herself, became a major figure in the Underground Railroad, sometimes visiting plantations dressed as a young male jockey to scout out slave escape routes. She started over again in San Francisco as an intriguer who by supplying servants and lovers to many of San Francisco’s powerful men became a much-feared power herself, but she also brought a successful lawsuit to integrate the streetcar service. It was not a standard conclusion to a female slave’s career, and it might not have been possible elsewhere. For those who came from the East, the West was a place without a past, and amnesia felt like freedom.”
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Date: 2018-05-04 12:25 pm (UTC)no subject
Date: 2018-05-03 10:28 pm (UTC)no subject
Date: 2018-05-04 12:22 pm (UTC)